运动时尚:户外女孩,1800到1960

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
K. Jones
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引用次数: 0

摘要

《运动时尚:户外女孩,1800至1960》是由美国艺术联合会和时装设计与营销学院FIDM博物馆联合主办的巡回展览,由Kevin L.Jones和Christina M.Johnson策划,于2021年7月3日在宾夕法尼亚州匹兹堡的弗里克美术馆首次亮相。实业家亨利·克莱·弗里克(Henry Clay Frick)的克莱顿庄园(Clayton estate)内的美术馆是一个精明的展览选择,该展览考察了从19世纪初到20世纪中期,休闲女性越来越多地走出家庭领域时的着装。Frick是展览的第一站,至少2024年还会有更多的场馆。声明的策展使命是“描绘让女性走出户外的文化和物质发展”,并“通过服装和配饰重建女性在体育运动中的物质历史,使她们能够参与、竞争和脱颖而出。“展览由480件物品组成(其中一些可能由于空间限制而被排除在弗里克),分为八个主题。主题围绕着这些物品所穿的休闲或体育活动组织起来——有些是狭义的,比如《乘风破浪》中从洗澡到游泳服的演变,还有一些是广义的,比如从国际旅行到狩猎的《更远的田野》。在悬浮动画中巧妙地使用人体模型,特别是在“Subzero Style”(图1)中,解决了如何在关于运动中的身体的静态展览中灌输运动的问题。20世纪初参与体育赛事的女性无声电影也进一步推动了这一举措。运动配件和装帧印刷媒体玻璃1关于本次巡回展览的其他六个场地和日期,请参阅。2024年,最终地点将是FIDM博物馆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sporting Fashion: Outdoor Girls, 1800 to 1960
Sporting Fashion: Outdoor Girls, 1800 to 1960, a traveling exhibition jointly sponsored by the American Federation of Arts and the FIDM Museum at the Fashion Institute of Design & Merchandising and curated by Kevin L. Jones and Christina M. Johnson, made its debut at the Frick Art Museum in Pittsburgh, Pennsylvania, on July 3, 2021. The art gallery on the grounds of industrialist Henry Clay Frick’s Clayton estate was a canny choice for an exhibition that examines the dress of women of leisure as they increasingly ventured outside of the domestic sphere from the early nineteenth to the mid-twentieth century. The Frick is the exhibition’s first stop, and additional venues will follow through at least 2024. The stated curatorial mission is to “chart the cultural and material developments that allowed women to make their way outdoors” and to “reconstruct a material history of women in sport through the garments and accessories that enabled them to participate, compete, and excel.” The exhibition consists of 480 objects (some excluded at the Frick, likely due to space limitations) divided among eight themes. The themes are organized around the leisure or sporting activity for which the objects were worn—some narrow, like the evolution of bathing to swimming costume in “Making Waves,” and others broad, like “Further Afield” that ran the gamut from international travel to hunting. The clever use of mannequins in suspended animation, particularly in “Subzero Style” (FIGURE 1), addressed the problem of how one can instill movement in a static exhibition about bodies in motion. A silent-film reel of early twentieth-century women engaged in sporting events also furthered this initiative. Vitrines of sporting accessories and framed print media 1 For six other venues and dates for this traveling exhibition, see . The final venue will be the FIDM Museum in 2024.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
28
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