{"title":"津巴布韦另类性身份的流行文化表达","authors":"Pauline Mateveke","doi":"10.1080/13696815.2021.2020086","DOIUrl":null,"url":null,"abstract":"ABSTRACT The dominant narrative within Zimbabwean popular cultural scholarship largely focuses on the Zimbabwean socio-economic and political crisis at the expense of alternative ideologies, identities and practices. I advocate for the urgency of expansive and wide-ranging epistemological attention to alternative sexual identities as part of a cultural studies research agenda. I argue that, although Zimbabwean homophobia has generally silenced alternative voices, popular culture offers channels through which to engage publicly with that which is generally loathed and feared. I discuss three Zimbabwean popular cultural archives to make the argument that it is through every day cultural practices that Zimbabwean alternative sexual identities can meaningfully be debated and conceptualised. I discuss a Zimbabwean dancehall song titled “Kumba Kwedu” (In Our Home) by the artist named Bazooker, the reception of Facebook activist Tatelicious Karigambe-Sandberg, and Tracy Kadungure’s novel Tanaka Chronicles: The Sexual Awakening. Through the selected popular cultural texts, I show how some Zimbabwean popular cultural expressions of alternative sexualities cleverly undermine heteronormative official values by constantly challenging the assumed heterosexual norm.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"32 - 47"},"PeriodicalIF":0.9000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Zimbabwean Popular Cultural Expressions of Alternative Sexual Identities\",\"authors\":\"Pauline Mateveke\",\"doi\":\"10.1080/13696815.2021.2020086\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The dominant narrative within Zimbabwean popular cultural scholarship largely focuses on the Zimbabwean socio-economic and political crisis at the expense of alternative ideologies, identities and practices. I advocate for the urgency of expansive and wide-ranging epistemological attention to alternative sexual identities as part of a cultural studies research agenda. I argue that, although Zimbabwean homophobia has generally silenced alternative voices, popular culture offers channels through which to engage publicly with that which is generally loathed and feared. I discuss three Zimbabwean popular cultural archives to make the argument that it is through every day cultural practices that Zimbabwean alternative sexual identities can meaningfully be debated and conceptualised. I discuss a Zimbabwean dancehall song titled “Kumba Kwedu” (In Our Home) by the artist named Bazooker, the reception of Facebook activist Tatelicious Karigambe-Sandberg, and Tracy Kadungure’s novel Tanaka Chronicles: The Sexual Awakening. Through the selected popular cultural texts, I show how some Zimbabwean popular cultural expressions of alternative sexualities cleverly undermine heteronormative official values by constantly challenging the assumed heterosexual norm.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"34 1\",\"pages\":\"32 - 47\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2021.2020086\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2021.2020086","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Zimbabwean Popular Cultural Expressions of Alternative Sexual Identities
ABSTRACT The dominant narrative within Zimbabwean popular cultural scholarship largely focuses on the Zimbabwean socio-economic and political crisis at the expense of alternative ideologies, identities and practices. I advocate for the urgency of expansive and wide-ranging epistemological attention to alternative sexual identities as part of a cultural studies research agenda. I argue that, although Zimbabwean homophobia has generally silenced alternative voices, popular culture offers channels through which to engage publicly with that which is generally loathed and feared. I discuss three Zimbabwean popular cultural archives to make the argument that it is through every day cultural practices that Zimbabwean alternative sexual identities can meaningfully be debated and conceptualised. I discuss a Zimbabwean dancehall song titled “Kumba Kwedu” (In Our Home) by the artist named Bazooker, the reception of Facebook activist Tatelicious Karigambe-Sandberg, and Tracy Kadungure’s novel Tanaka Chronicles: The Sexual Awakening. Through the selected popular cultural texts, I show how some Zimbabwean popular cultural expressions of alternative sexualities cleverly undermine heteronormative official values by constantly challenging the assumed heterosexual norm.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.