{"title":"波动理论~社会理论","authors":"S. Helmreich","doi":"10.1215/08992363-8090094","DOIUrl":null,"url":null,"abstract":"Anthropologist David Graeber, in his 2013 study The Democracy Project, tells of “a wave of resistance sweeping the planet” (64), an “insurrectionary wave” (108).1 According to Graeber, the wave began in Tunisia in January 2011, moved across the Middle East — Egypt, Libya, Yemen2 — to manifest as the “Arab Spring,”3 and traveled on to the Occupy movements that materialized across the United States later that year (see also DidiHuberman 2016). Public protests in Brazil, Greece, and Turkey in 2013 rolled into view next, all framed as “waves” (see Tuğal 2013).4 More recently, the election of Donald Trump to the United States presidency in 2016 prompted a November 9 New York","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":"32 1","pages":"287-326"},"PeriodicalIF":0.9000,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Wave Theory ~ Social Theory\",\"authors\":\"S. Helmreich\",\"doi\":\"10.1215/08992363-8090094\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Anthropologist David Graeber, in his 2013 study The Democracy Project, tells of “a wave of resistance sweeping the planet” (64), an “insurrectionary wave” (108).1 According to Graeber, the wave began in Tunisia in January 2011, moved across the Middle East — Egypt, Libya, Yemen2 — to manifest as the “Arab Spring,”3 and traveled on to the Occupy movements that materialized across the United States later that year (see also DidiHuberman 2016). Public protests in Brazil, Greece, and Turkey in 2013 rolled into view next, all framed as “waves” (see Tuğal 2013).4 More recently, the election of Donald Trump to the United States presidency in 2016 prompted a November 9 New York\",\"PeriodicalId\":47901,\"journal\":{\"name\":\"Public Culture\",\"volume\":\"32 1\",\"pages\":\"287-326\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2020-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Public Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/08992363-8090094\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-8090094","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Anthropologist David Graeber, in his 2013 study The Democracy Project, tells of “a wave of resistance sweeping the planet” (64), an “insurrectionary wave” (108).1 According to Graeber, the wave began in Tunisia in January 2011, moved across the Middle East — Egypt, Libya, Yemen2 — to manifest as the “Arab Spring,”3 and traveled on to the Occupy movements that materialized across the United States later that year (see also DidiHuberman 2016). Public protests in Brazil, Greece, and Turkey in 2013 rolled into view next, all framed as “waves” (see Tuğal 2013).4 More recently, the election of Donald Trump to the United States presidency in 2016 prompted a November 9 New York
期刊介绍:
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.