{"title":"Michael Praetorius的扉页","authors":"P. Holman","doi":"10.3986/dmd15.1-2.01","DOIUrl":null,"url":null,"abstract":"The well-known title page used by Michael Praetorius for several of his publications provides a starting-point for a discussion of the way large-scale music was directed in early seventeenth-century Germany. The practice of depicting composers with rolls of paper is discussed, as is the nature of seventeenth-century time-beating and how it differed from modern conducting.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Title Page of Michael Praetorius\",\"authors\":\"P. Holman\",\"doi\":\"10.3986/dmd15.1-2.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The well-known title page used by Michael Praetorius for several of his publications provides a starting-point for a discussion of the way large-scale music was directed in early seventeenth-century Germany. The practice of depicting composers with rolls of paper is discussed, as is the nature of seventeenth-century time-beating and how it differed from modern conducting.\",\"PeriodicalId\":38033,\"journal\":{\"name\":\"De Musica Disserenda\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"De Musica Disserenda\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3986/dmd15.1-2.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"De Musica Disserenda","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3986/dmd15.1-2.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
Michael Praetorius在他的几本出版物中使用了著名的标题页,这为讨论17世纪初德国大型音乐的导演方式提供了一个起点。讨论了用纸卷描绘作曲家的实践,以及17世纪时间节拍的本质以及它与现代指挥的区别。
The well-known title page used by Michael Praetorius for several of his publications provides a starting-point for a discussion of the way large-scale music was directed in early seventeenth-century Germany. The practice of depicting composers with rolls of paper is discussed, as is the nature of seventeenth-century time-beating and how it differed from modern conducting.
期刊介绍:
De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.