春天和所有人的人性崩溃:压缩的时间、深刻的时间和想象的紧迫性

IF 0.1 N/A POETRY
Rebekah Taylor-Wiseman
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引用次数: 1

摘要

摘要:本文认为,威廉姆斯的《春天与万物》在两个矛盾的时间性之间摇摆不定,这两个时间性表明了人类世1)快速技术和环境变化的迷失方向的经历,我们可以称之为压缩时间,以及2)对人类物种作为地质因子的深刻认识,总有一天,我们在化石层中记录的想象产物(例如,二氧化碳和塑料的增加)可以衡量人类物种的灭绝。想象力解释了我们最大的失败和我们唯一的希望,“这就是它的书”(CP1 178),Williams告诉我们。当他运用读者的想象力来考虑各种矛盾的时间尺度时,他预测了人类世的状况,眨眼之间和数百万年之间的冲突,人类作为地质力量,决定了我们的祖先和未来亲属在地球上的宜居性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spring and All’s Anthropocenic Collage: Compressed Time, Deep Time, and the Urgency of Imagination
abstract:This article argues that Williams’s Spring and All vacillates between two contradictory temporalities indicative of the Anthropocene 1) the disorienting experience of rapid technological and environmental change, what we might call compressed time, and 2) a deep-time-awareness of the human species as geological agent whose extinction will one day be measurable by the products of our imagination recorded in the fossil layer (increased CO2 and plastics, for example). The imagination accounts for our greatest failures and our only hope, and “This is its book” (CP1 178), Williams tells us. As he employs his reader’s imagination to consider a variety of contradictory temporal scales, he anticipates the condition of the Anthropocene where the blink of an eye and millions of years clash, and humans-as geological-force determine the livability of our planet for both our ancestors and future kin.
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