奈何在中国动画电影中的形象转换(1961-1919)

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Ni Fan
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引用次数: 0

摘要

本文通过1961年至2019年中国不同的动画电影来分析奈何形象的演变。奈何的三部重要电影分别是《天幕杀机》、《奈何征服龙王》和《奈何》,分别代表了“中国古典动画”、“中国现代动画”和“中国后现代动画”的时代。2019年,《Ne Zha》成为暑期档热门影片,也是票房最高的中国原创动画,中国票房达到50.35亿日元。对古典艺术传统和传奇故事如何被移植到这些电影中的探索表明,中国动画已经从20世纪60年代的民族风格巅峰中退了出来,并随着全球化的文化和意识形态影响而发生了变化。总之,与美术电影相关的艺术手法、传统的叙事方式和情节风格化已经逐渐弱化。好莱坞经典的三幕模式和日本漫画人物关系和形象等当代元素对21世纪的中国动画产生了重大影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ne Zha’s image transformation in Chinese animation cinema (1961‐2019)
This article analyses Ne Zha’s image evolution through different animated films in the PRC from 1961 to 2019. Three key Ne Zha films are Uproar in Heaven, Ne Zha Conquers the Dragon King and Ne Zha, representing the era of ‘classical Chinese animation’, ‘modern Chinese animation’ and ‘postmodern Chinese animation’, respectively. In 2019, Ne Zha became the summer hit and the highest-grossing Chinese original animation earning ¥5.035 billion at the Chinese box office. Explorations of how classical artistic traditions and legendary stories have been transposed into these films shows that Chinese animation has retreated from the peak of national style in the 1960s and undergone change with globalization’s cultural and ideological impacts. In sum, artistic techniques associated with fine arts film, traditional narrative methods and plot stylization have gradually weakened. Contemporary elements such as Hollywood classic three-act pattern and Japanese comic character relationships and images have significantly influenced Chinese animation in the twenty-first century.
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来源期刊
Film Fashion & Consumption
Film Fashion & Consumption HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
50.00%
发文量
6
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