{"title":"作为标志本身的时尚体系:惊奇、诱惑与Viktor&Rolf的智慧","authors":"Dita Svelte","doi":"10.1080/1362704X.2022.2102856","DOIUrl":null,"url":null,"abstract":"Abstract I have previously argued that aspects of fashion’s appeal and allure are bound up in a concept of wit. This wit is comprised of surprise—the sudden provision of an unexpected creative insight via a novel quip or image or—and seduction—pleasurable play, mutual challenge, and the desire to led astray from orthodox thinking in intriguing ways. However within fashion studies, the idea prevails that fashion is largely regarded as explicable in terms of a singular, integrated, commercially-oriented fashion system. I will examine Roland Barthes’ influential The Fashion System to explore how the idea of the “fashion system” functions as a sign of fashion itself. I will then analyze the oeuvre of Viktor & Rolf—couturiers who explicitly and persistently comment on the construction of the “fashion system”—to demonstrate how their work might critique and complement this system through a theoretical conception of wit.","PeriodicalId":51687,"journal":{"name":"Fashion Theory-The Journal of Dress Body & Culture","volume":"27 1","pages":"383 - 409"},"PeriodicalIF":0.7000,"publicationDate":"2022-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf\",\"authors\":\"Dita Svelte\",\"doi\":\"10.1080/1362704X.2022.2102856\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract I have previously argued that aspects of fashion’s appeal and allure are bound up in a concept of wit. This wit is comprised of surprise—the sudden provision of an unexpected creative insight via a novel quip or image or—and seduction—pleasurable play, mutual challenge, and the desire to led astray from orthodox thinking in intriguing ways. However within fashion studies, the idea prevails that fashion is largely regarded as explicable in terms of a singular, integrated, commercially-oriented fashion system. I will examine Roland Barthes’ influential The Fashion System to explore how the idea of the “fashion system” functions as a sign of fashion itself. I will then analyze the oeuvre of Viktor & Rolf—couturiers who explicitly and persistently comment on the construction of the “fashion system”—to demonstrate how their work might critique and complement this system through a theoretical conception of wit.\",\"PeriodicalId\":51687,\"journal\":{\"name\":\"Fashion Theory-The Journal of Dress Body & Culture\",\"volume\":\"27 1\",\"pages\":\"383 - 409\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-07-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fashion Theory-The Journal of Dress Body & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1362704X.2022.2102856\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fashion Theory-The Journal of Dress Body & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1362704X.2022.2102856","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf
Abstract I have previously argued that aspects of fashion’s appeal and allure are bound up in a concept of wit. This wit is comprised of surprise—the sudden provision of an unexpected creative insight via a novel quip or image or—and seduction—pleasurable play, mutual challenge, and the desire to led astray from orthodox thinking in intriguing ways. However within fashion studies, the idea prevails that fashion is largely regarded as explicable in terms of a singular, integrated, commercially-oriented fashion system. I will examine Roland Barthes’ influential The Fashion System to explore how the idea of the “fashion system” functions as a sign of fashion itself. I will then analyze the oeuvre of Viktor & Rolf—couturiers who explicitly and persistently comment on the construction of the “fashion system”—to demonstrate how their work might critique and complement this system through a theoretical conception of wit.
期刊介绍:
The importance of studying the body as a site for the deployment of discourses is well-established in a number of disciplines. By contrast, the study of fashion has, until recently, suffered from a lack of critical analysis. Increasingly, however, scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory takes as its starting point a definition of “fashion” as the cultural construction of the embodied identity. It provides an interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from footbinding to fashion advertising.