民俗学家Henry Glassie的历史视角:音乐教育中民歌的根源

IF 0.2 0 MUSIC
Ian Cicco, M.M.Ed.
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引用次数: 0

摘要

本研究旨在从著名民俗学家Henry Glassie的视角探讨民歌的社会文化根源。Henry Glassie博士是印第安纳大学名誉教授,他曾在印第安纳大学的民间传说和民族音乐学系任职。主要资料来源包括格拉西在1961年至1967年阿巴拉契亚地区收集的民歌抄写、录音和现场笔记,这些资料保存在印第安纳大学传统音乐档案馆。来自初级音乐来源的1,665首歌曲与Glassie的收藏进行了交叉参考,其中26首出现在存档帐户中。对Glassie的两次口述历史采访显示,在小学普通音乐课堂上常用的民歌有其历史根源,教师可能不知道。本研究中的歌曲提出了在普通音乐课堂中使用这些歌曲的伦理和道德问题,并建议教师仔细研究民歌及其相关含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Historical Perspective from Folklorist Henry Glassie: Roots of Folk Songs in Music Education
The purpose of this study was to examine the sociocultural roots of folk songs from the perspective of renowned folklorist Henry Glassie. Dr. Henry Glassie holds the rank of Professor Emeritus at Indiana University, where he previously served on the faculty for the Department of Folklore and Ethnomusicology. Primary sources included Glassie’s archived collection of folk song transcriptions, recordings, and field notes from the Appalachian region between 1961-1967, housed at the Archives of Traditional Music at Indiana University. A total of 1,665 titles from elementary general music sources were cross-referenced with Glassie’s collection, 26 of which appeared in the archived account. Two oral history interviews with Glassie revealed that folk songs that are commonly used in elementary general music classrooms have historical roots of which teachers may be unaware. The songs in this study raise ethical and moral questions regarding their use in the general music classroom and suggest that teachers carefully research folk songs and their related meanings.
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CiteScore
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