谢苗·弗兰克政治哲学中的理想危机问题(纪念“哲学蒸笼”问世100周年)

IF 0.1 0 PHILOSOPHY
V. Sharova
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引用次数: 0

摘要

本文的主题是欧洲启蒙运动和现代产生的理想危机问题,正如20世纪前三分之一的俄罗斯思想家所解释的那样。以谢苗·弗兰克的思想为基础,分析了俄罗斯启蒙运动的社会政治理想与20世纪初导致俄罗斯和欧洲邪恶空前升级的虚假“偶像”之间的关系。人们特别注意这样一种假设,即民主作为人民真正力量的理想,由于不加批判的实施,会导致革命暴力和暴政的进一步再现。民主有两个版本:根据弗兰克的说法,其中一个是真实的,基于对真相无私服务的理念,另一个是“虚假的”,旨在实现极权主义乌托邦,从根本上敌视自由。作者还分析了弗兰克对“文化偶像”现象的看法,这是基于线性进步的思想。弗兰克认为,线性进步无法阻止俄罗斯和欧洲陷入野蛮。此外,它甚至在很大程度上促成了这种崩溃。得出的结论是,弗兰克作为一名基督教哲学家和政治思想家,成为了欧洲俄罗斯文化传统和俄罗斯欧洲文化传统的相对少数但更重要的指挥家之一(例如,与费奥多尔·斯捷潘和弗拉基米尔·魏德尔一起):也就是说,他是“俄罗斯欧洲人”的真正化身。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The problem of the crisis of ideals in the political philosophy of Semyon Frank (to the 100th anniversary of the “Philosophical steamer”)
The subject of the article is the problem of the crisis of ideals generated by the European Enlightenment and the Modern era, as interpreted by Russian thinkers of the first third of the 20th century. Building on the conception of Semyon Frank, the author analyzes the relationship between the socio-political ideals of the Enlightenment in the Russian version and false “idols” that led Russia and Europe to an unprecedented escalation of evil in the early 20th century, is analyzed. Particular attention is paid to the assumption that the ideals of democracy as a true power of the people, as a result of uncritical imple­mentation, lead to revolutionary violence and further reproduction of tyranny. Two ver­sions of democracy are considered: according to Frank, one of them is genuine, based on the idea of disinterested service to the truth, and the second is “false”, oriented to­wards a totalitarian utopia, fundamentally hostile to freedom. The author also analyzes Frank’s views on the phenomenon of the “idol of culture”, which is based on the idea of linear progress. According to Frank, linear progress cannot prevent Russia and Europe from falling into barbarism. Moreover, it even significantly contributed to that break­down. It is concluded that Frank as a Christian philosopher and political thinker became one of the relatively few (along with, for example, Fyodor Stepun and Vladimir Weidle), but all the more significant conductors of the Russian cultural tradition in Europe and the European cultural tradition in Russia: that is, a genuine personification of the phe­nomenon of a “Russian European”.
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来源期刊
Filosofskii Zhurnal
Filosofskii Zhurnal PHILOSOPHY-
CiteScore
0.30
自引率
50.00%
发文量
25
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