{"title":"后殖民理论的萌芽","authors":"Anne Berg","doi":"10.1017/S0008938923000055","DOIUrl":null,"url":null,"abstract":"“What is going on in Germany?” asked Natalie Zemon Davis after Munich suspended the acclaimed play Vögel (Birds) by Wajdi Mouawad in November 2022. Davis, a renowned historian, had been deeply involved in the play's conception and production only to see it pulled for alleged antisemitism and Holocaust relativization.1 This was not an isolated example.2","PeriodicalId":45053,"journal":{"name":"Central European History","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Gespenst of Postcolonial Theory\",\"authors\":\"Anne Berg\",\"doi\":\"10.1017/S0008938923000055\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“What is going on in Germany?” asked Natalie Zemon Davis after Munich suspended the acclaimed play Vögel (Birds) by Wajdi Mouawad in November 2022. Davis, a renowned historian, had been deeply involved in the play's conception and production only to see it pulled for alleged antisemitism and Holocaust relativization.1 This was not an isolated example.2\",\"PeriodicalId\":45053,\"journal\":{\"name\":\"Central European History\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Central European History\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1017/S0008938923000055\",\"RegionNum\":3,\"RegionCategory\":\"人文科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Central European History","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/S0008938923000055","RegionNum":3,"RegionCategory":"人文科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
“What is going on in Germany?” asked Natalie Zemon Davis after Munich suspended the acclaimed play Vögel (Birds) by Wajdi Mouawad in November 2022. Davis, a renowned historian, had been deeply involved in the play's conception and production only to see it pulled for alleged antisemitism and Holocaust relativization.1 This was not an isolated example.2
期刊介绍:
Central European History offers articles, review essays, and book reviews that range widely through the history of Germany, Austria, and other German-speaking regions of Central Europe from the medieval era to the present. All topics and approaches to history are welcome, whether cultural, social, political, diplomatic, intellectual, economic, and military history, as well as historiography and methodology. Contributions that treat new fields, such as post-1945 and post-1989 history, maturing fields such as gender history, and less-represented fields such as medieval history and the history of the Habsburg lands are especially desired. The journal thus aims to be the primary venue for scholarly exchange and debate among scholars of the history of Central Europe.