“俄罗斯”幽默在幽默交际方向的背景下:恐惧症作为一种社会现象的原因

Sergey Troitskiy
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引用次数: 0

摘要

这篇文章试图回答幽默是否具有文化特异性的问题,不是在形式和内容上,而是在语用学的背景下。从幽默指向对象的角度来讨论幽默,我们可以区分俄罗斯哲学家索洛维约夫关于幽默的三种主要选择,即与最高、平等和最低的关系。考虑到这样一个简化的方案耗尽了根据收件人的解释方法(越高、越低、越相等)构建消息的所有可能向量,然而,这样一个看似简单的分类不仅决定了消息的叙述位置,还决定了消息内容和形式,并设置了其他限制。植根于文化并由文化复制的关系(载体)方案不仅决定了幽默信息是如何构建的,而且在许多方面也决定了收件人是否准备好以笑声的形式做出适当的反应,以及幽默信息的作者是否期待这种反应。因此,本文的任务之一是试图解释主体和权力对象之间(不成功的)幽默互动的细节。俄罗斯文化是本文的重点,它是基于俄罗斯的来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
„Русский” юмор в контексте направлений юмористической коммуникации: причины гелотофобии как социального явления
The article is an attempt to answer the question whether there is a cultural specificity of humour not in form and content, but in the context of pragmatics. Discussing humour from the point of view of its orientation to the addressee, we can distinguish three main options described by the Russian philosopher V. S. Solovyov in connection with humour, these are relations to the highest, to the equal, and to the lowest. Considering that such a simplified scheme exhausts all possible vectors of constructing a message according to the method of interpretation of the addressee (as higher, as lower, as equal), such a seemingly simple classification, however, determines not only the narrative position, but also the content and form of the message, as well as sets other restrictions. The scheme of relations (vectors) rooted in culture and reproduced by it determines not only how a humorous message is constructed, but also in many respects the readiness of the addressee for an adequate reaction in the form of laughter, and whether the author of the humorous message expects this reaction. Thus, one of the tasks of the article is an attempt to explain the specifics of the (unsuccessful) humorous interaction between the carriers of subjects and objects of power. Russian culture is the focus of the article, which is based on Russian sources.
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