语言的再现:《雪中猎人》作为一种诗意的接近风格

IF 0.1 0 POETRY

WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2022-12-01 DOI:10.5325/willcarlwillrevi.39.2.0215

Zachary Tavlin

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引用次数: 0

摘要

摘要:本文从米勒在威廉姆斯诗歌中的“在场”概念出发，将短语视为一种特定的接近世界的方式，揭示了艺术形式之间的差异，即它们如何呈现和呈现什么内容的差异。作为一个主要的例子，它关注的是威廉姆斯的《雪中的猎人》(The Hunters in The Snow)，出自布鲁盖尔的作品。

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Ekphrastic Copresence: “The Hunters in the Snow” as a Style of Poetic Access

ABSTRACT:This article departs from J. Hillis Miller’s notion of “copresence” in Williams’s poetry to consider ekphrasis as a specific mode of access to the world, revealing differences between art forms as differences between how and what they make present. It focuses, as a primary example, on Williams’s “The Hunters in the Snow,” from Pictures from Brueghel.

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WILLIAM CARLOS WILLIAMS REVIEW POETRY-

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