MA-XRF对19世纪巴西绘画的调查

IF 1.3 Q3 INSTRUMENTS & INSTRUMENTATION
A.R. Pimenta, V. Felix, Matheus Oliveira, Miguel Andrade, M.A. Oliveira, R. Freitas
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引用次数: 3

摘要

在这幅作品中,通过MA-XRF分析了巴西画家菲尔米诺·蒙泰罗、恩里克·贝尔纳德利和伊丽莎白·维斯孔蒂的四件19世纪的艺术品。Pb-L、Fe-K和Hg-L是所有绘画中获得的主要元素图谱。在Henrique Bernardelli和Eliseu Visconti的作品中,还获得了Cr-K和Co-K的地图。这些结果表明,这些19世纪的巴西画家很少使用颜料来创作他们的画作,不同的色调主要来自赭色颜料。使用相关图像方法,没有发现画家有意混合颜料。这些结果表明,三位画家在制备颜料时使用了相似的材料和技术。这些相似性通过非负矩阵分解(NMF)的统计分析得到了证实。在这种方法中,可以验证每个艺术品中登记的数据贡献的主要依据是相同的。分析还显示,Eliseu Visconti的一幅画有一幅底层绘画,而Eliseu维斯conti的另一件艺术品则含有一种含有铜和锌的金色颜料。这些结果有助于艺术历史学家和保护人士了解19世纪巴西艺术家的创作过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Investigating Brazilian Paintings from the 19th Century by MA-XRF
In this work, four artworks dating from the 19th century by Brazilian painters Firmino Monteiro, Henrique Bernardelli, and Eliseu Visconti were analyzed by MA-XRF. Pb-L, Fe-K, and Hg-L were the main elemental maps obtained in all paintings. In the artworks of Henrique Bernardelli and Eliseu Visconti, maps of Cr-K and Co-K were also obtained. These results indicate that these Brazilian painters from the 19th century used few pigments to create their paintings, with the different hues coming mainly from ocher pigments. Using correlation image methods, no intentional mixtures of pigments made by the painters were found. These results indicate that the three painters used similar materials and techniques for preparing their pigments. These similarities are confirmed through statistical analysis by non-negative matrix factorization (NMF). In this method, it was possible to verify that the main bases of the contribution of the data registered in each artwork are the same. The analysis also revealed that one of Eliseu Visconti’s paintings had an underlying painting, and another artwork by Eliseu Visconti contained a golden pigment with Cu and Zn. These results have helped art historians and conservators understand the creation process of Brazilian artists in the 19th century.
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来源期刊
CiteScore
2.80
自引率
28.60%
发文量
27
审稿时长
11 weeks
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