Ogawa Yōko and the Horrific Femininities of Daily Life

In Ogawa Yōko’s (b. 1962) writing from the late 1980’s and 1990’s, female narrators often revel in the fantastical beauty of youthful masculinities, while they themselves cannot escape the disgusting disorder of feminized domestic spaces. First, I read death and violence in kitchens depicted in the story collection Revenge (1998) to show how Ogawa rewrites this space associated with the housewife and her duties as one of horrific possibilities overturning idealized images of domesticity. Next, building on earlier readings of food, I argue that spectacles of sweetness—cakes, jam, and ice cream desserts—play a particularly crucial role in articulating female desire and violence, such as with the earlier works “Pregnancy Diary” (1991) and Sugar Time (1991). Returning to Revenge, I observe how “sweet” images appear in scenes of violence to outline how female homosocial gazes reflect a constant engagement with femininities seen in other women, particularly those marked by the transgression of anger and murderous desire. I end by considering ways in which Ogawa’s self-reflexive depiction of the woman writer in Revenge playfully problematizes the “mad” fantasies of women who write.