Natur zwischen Übermacht, Unschuld und Instrument

Abstract This article emphasises the relevance of Adorno’s concept of nature for contemporary debates in critical theory about the relationship between nature and society. Adorno identifies a twofold danger for a critical understanding of our relationship to nature. While the first is in the development of a mythical vision of nature, the second is in the development of a purely instrumental relationship to nature, which considers nature as an entity radically heterogeneous to social issues. Against this backdrop, Adorno develops his own concept of nature which can be described as negative (non-mythical) and minimal (non-instrumental).