奥利弗·里德:“我是英格兰先生!”

IF 0.2 1区 艺术学 0 FILM, RADIO, TELEVISION
A. Roberts
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引用次数: 0

摘要

本文追溯了奥利弗·里德的演艺生涯,主要关注他与迈克尔·温纳、肯·拉塞尔、约瑟夫·洛西和汉默电影公司的合作,同时也承认了他后来的一些有趣的作品,如《漂流者》(1986)和《孩子们》(1979)。书中还探讨了他在演艺生涯后期衰落的原因,这不仅仅是因为人们经常说的酗酒,还因为当时处于衰落状态的英国电影中缺乏合适的角色,以及小报名人文化的角斗士性质,这只会鼓励里德沉迷于他自我毁灭的“地狱者”形象。在这里,我们看到的是这样一个演员,他有着非常出色的身体表现和出色的声音控制,但他出演的电影太少,配得上他的才华,而他的才华却被一个很大程度上对他的商业吸引力的创造力视而不见的行业浪费了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Oliver Reed: ‘I’m Mr England!’
This article traces the acting career of Oliver Reed, focusing primarily on his work with Michael Winner, Ken Russell, Joseph Losey and Hammer Films, while also acknowledging interesting later works such as Castaway (1986) and The Brood (1979). It also examines the reasons for his decline in the later years of his career, which were not simply the result of alcoholism, as is all too frequently claimed, but also of the lack of suitable roles in a British cinema then in state of decline and the gladiatorial nature of a tabloid celebrity culture which served only to encourage Reed to indulge his self-destructive ‘hell raiser’ image. The picture that emerges here is of an actor with very considerable physical presence and exceptional vocal control who starred in too few films worthy of his talents, which were squandered by an industry largely blind to the creative possibilities which underpinned his proven commercial drawing power.
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来源期刊
Journal of British Cinema and Television
Journal of British Cinema and Television FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
11.10%
发文量
53
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