防弹少年团音乐中的男子气概:在自我认同与市场欲望之间

Frizki Yulianti Nurnisya, S. Hasna
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引用次数: 0

摘要

此前的研究认为,包括防弹少年团(BTS)在内的韩流歌手,在宣传男性气质的另一面。防弹少年团似乎通过他们的音乐传达了“女性友好型男子气概”的概念。防弹少年团成员的这种女性化的男性特征,在美国形成了对亚洲男性的典型刻板印象。本次研究旨在确定防弹少年团(BTS)在2013年至2021年期间的视频中所表现出的男子气概的代表性,并观察了至少33个视频片段。研究者先用Norman Fairclough的Critical Discourse Analysis来观察视频片段中的符号表征,然后再用Braun和Clarke的thematic Analysis进行分析。结果显示,在他们的职业生涯中,男性气质的表现发生了变化。这也是作为艺人的防弹少年团与国际音乐界的要求进行妥协和协商的结果
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Revealing Masculinity in BTS’s Music: Between Self Identity and Market Desire
Previous studies assessed that the Korean Wave, including the music group Bangtan Sonyeondan (BTS), had campaigned for a different side of masculinity. BTS, through their music, seems to carry the concept of a "female-friendly model of masculinity". This feminine masculine identity is attached to BTS members and creates a typical stereotype of Asian men in the United States. This study aims to determine the representation of masculinity displayed by the boy group BTS in their video clips from 2013 to 2021 and observe at least 33 video clips. The researcher observed the symbol representation in the video clip with a Critical Discourse Analysis from Norman Fairclough and then conducted a thematic analysis by Braun and Clarke. The results showed a change in the representation of masculinity throughout their careers. This change in representation is also a form of compromise and negotiation between BTS as artists and the music industry's demands at an international level
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