从卓别林到斯大林:日本无产阶级电影与社会文化变迁，1920-1930

IF 0.5 2区历史学 Q1 HISTORY

Cultural & Social History Pub Date : 2022-11-01 DOI:10.1080/14780038.2022.2139692

Andrea Bourgogne

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引用次数: 0

摘要

本文着眼于两次世界大战期间的日本无产阶级电影运动(Prokino)，探索从以社会批判为目的的卓别林主义到以工人阶级为中心的政治美学的转变。它考察了普罗基诺与欧亚主义的关系，在欧亚主义中，日本寻求转向亚洲和苏联，而不是西方。这样的研究使以前研究两次世界大战之间日本历史的方法复杂化，并显示出社会和文化历史是如何深深地纠缠在一起的。

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From Chaplin to Stalin: Proletarian Cinema and Socio-Cultural Change in Japan, 1920-1930

ABSTRACT This article looks at the Proletarian Film Movement of Japan (Prokino) in the interwar period, exploring the shift away from Chaplinism, a current aimed at social critique, to working-class focused political aesthetics. It examines the journey of Prokino in relationship to Eurasianism, in which Japan sought to turn to Asia and the Soviet Union rather than the West. Such a study complicates previous approaches to the history of interwar Japan, and shows how social and cultural history are deeply entangled.

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来源期刊

Cultural & Social History HISTORY-

CiteScore

0.70

自引率

16.70%

发文量

期刊介绍： Cultural & Social History is published on behalf of the Social History Society (SHS). Members receive the journal as part of their membership package. To join the Society, please download an application form on the Society"s website and follow the instructions provided.