全球化与尼日利亚伊斯兰音乐(Asalatu)

IF 0.4 4区 哲学 0 RELIGION
O. Akanle, O. Omoniyi
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引用次数: 0

摘要

在全球化和西方音乐影响的背景下,本文探讨了尼日利亚约鲁巴穆斯林的一种伊斯兰音乐形式Asalatu。文章指出在日益世俗化中观察到的音乐变化和音乐的可能性。根据民族志数据,文章阐明了一些无关紧要的问题,例如使用伊斯兰音乐的母语而不是阿拉伯语,以及将舞蹈引入伊斯兰音乐以解释这些变化。这篇文章是对非洲宗教、伊斯兰研究和流行/物质文化领域知识的重大贡献。全球化使各国紧密地联系在一起,从而加速了各国融入全球体系的进程。考虑到全球化带来的伊斯兰音乐的变化,有助于洞察社会的本质,无论是日益宗教化还是世俗化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Globalization and Islamic Music (Asalatu) in Nigeria
This article explores Asalatu, a form of Islamic music among Yoruba Muslims in Nigeria, against the backdrop of globalization and the impact of Western music. The article points to observed changes in the music and musical possibilities within increasing secularization. Drawing on ethnographic data, the article illuminates tangential issues such as the use of the mother tongue for Islamic music as opposed to Arabic, and the introduction of dance to Islamic music to account for the changes. The article is a major contribution to knowledge in the fields of religion in Africa, Islamic studies, and popular/material culture. Globalization has closely knit nations together such that there is an acceleration of the integration of nations into the global system. Accounting for changes in Islamic music as a result of globalization helps provide insights into the nature of society, whether increasingly religious or secular.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
53
期刊介绍: The Journal of Religion in Africa was founded in 1967 by Andrew Walls. In 1985 the editorship was taken over by Adrian Hastings, who retired in 1999. His successor, David Maxwell, acted as Executive Editor until the end of 2005. The Journal of Religion in Africa is interested in all religious traditions and all their forms, in every part of Africa, and it is open to every methodology. Its contributors include scholars working in history, anthropology, sociology, political science, missiology, literature and related disciplines. It occasionally publishes religious texts in their original African language.
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