奥马尔·伊本的所见所闻

IF 0.2 Q3 AREA STUDIES
Courtney Dorroll, Colleen Ballance, Philip Dorroll
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引用次数: 0

摘要

本文将说明如何利用跨学科的师生合作研究来帮助伊斯兰研究去殖民化。本文将基于我们最近完成的学生和教师合作研究项目的案例研究,看和听奥马尔·伊本·萨伊德。教职员工领导了一项关于奥马尔·伊本·赛义德的师生研究和公共宣传项目,奥马尔·伊本·赛义德是一名来自塞内冈比亚地区的被奴役的穆斯林男子。学生们的工作重点是传记歌剧《奥马尔》(Omar),该剧原计划在2020年南卡罗来纳州查尔斯顿的斯波莱托艺术节(Spoleto Festival)上首演。这个跨学科的合作结合了宗教研究、历史和表演研究。学生们制作了旨在促进公众参与和教育的宣传材料。最后,这篇文章揭示了几个重要的主题:跨学科研究的教学法,在跨学科环境中给予学生自主权,以及对美国早期穆斯林缺乏认识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Seeing and Hearing Omar ibn Said
Abstract This article will illustrate how using interdisciplinary student-faculty collaborative research can help decolonialize Islamic Studies. This article will be based on a case study of our recently completed student-faculty collaborate research project, Seeing and Hearing Omar ibn Said. Faculty members led a student-faculty research and public outreach project regarding Omar ibn Said, an enslaved Muslim man from the Senegambia region. The students’ work focused on the biographical opera Omar, which was planned for debut at the 2020 Spoleto Festival in Charleston, South Carolina. This interdisciplinary collaboration combined religious studies, history, and performance studies. The students produced outreach materials designed for public engagement and education. Ultimately this article brings to light several important topics: the pedagogy of interdisciplinary studies, giving students agency in an interdisciplinary setting, and the lack of recognition of early Muslims in America.
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CiteScore
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