音乐治疗师与痴呆症患者之间的非语言互动。质性现象学与艺术本位探究

Pub Date : 2021-07-15 DOI:10.1093/MTP/MIAB008
J. K. Krøier, Brynjulf Stige, H. M. Ridder
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引用次数: 2

摘要

当音乐治疗师指导护理人员如何在与痴呆症患者的互动中应用音乐时,我们可以将其称为间接音乐治疗实践。音乐互动大多是通过非语言、隐含和具体的知识发生的,因此,音乐治疗师需要探索和描述这种互动,以便能够向护理人员和其他专业人员传播。在这项定性研究中,我们考察了6名具有痴呆症护理临床经验的音乐治疗师如何与居住在疗养院的严重痴呆症患者进行非言语互动。进行了探索性焦点小组,研究音乐治疗师对他们与痴呆症患者非言语互动的生活经验描述。通过现象学方法对焦点小组的记录进行了分析,并通过使用音乐即兴创作作为一种基于艺术的分析方法对研究结果进行了阐述和同行验证。研究结果包括五个主题:活力、自律的主体性、协调、治疗存在和验证。音乐治疗师以痴呆症患者的活力为指导,意识到自己的反应,并通过自律的主观性感知患者的需求。他们适应了人的非语言音乐参数(例如,节奏、音高和音量),并通过治疗在场和验证共同创造了一个开放和相互的领域。这些发现与直接和间接音乐治疗实践的未来发展有关,但由于参与者群体单一且人数较少,因此存在局限性。这项研究强调了使用基于语言的探究方法探索非语言和音乐互动的挑战。
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Non-Verbal Interactions Between Music Therapists and Persons with Dementia. A Qualitative Phenomenological and Arts-Based Inquiry
When music therapists are supervising caregivers in how to apply music in their interactions with persons with dementia, we may term this as indirect music therapy practice. Musical interactions are mostly happening through nonverbal, implicit, and embodied knowledge, and, therefore, there is a need for exploring and verbalizing such interactions for music therapists to be able to disseminate to caregivers and other professionals. In this qualitative study, we examine how 6 music therapists with clinical experience in dementia care experience nonverbal interaction with persons with severe dementia living in nursing homes. Explorative focus groups were conducted to study the music therapists’ lived-experience descriptions about their nonverbal interactions with persons with dementia. Focus group transcripts were analyzed by a phenomenological approach, and the findings elaborated and peer validated by the use of musical improvisation as an arts-based analytic approach. The findings included five themes: vitality, disciplined subjectivity, attunement, therapeutic presence, and validation. The music therapists were guided by the vitality of the person with dementia, were aware of their own reactions, and sensed the needs of the person through disciplined subjectivity. They attuned to the person’s nonverbal musical parameters (e.g., tempo pitch and volume) and cocreated an open and mutual field through therapeutic presence and validation. The findings are relevant for future development of direct and indirect music therapy practice but contain limitations due to a homogenous and small group of participants. This study highlights the challenges of exploring nonverbal and musical interactions with the use of language-based methods of inquiry.
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