从大屠杀(1978)到切尔诺贝利(2019):面对创伤的过去和受到威胁的未来，视听能做些什么?

IF 0.2 0 LITERARY THEORY & CRITICISM

Acta Poetica Pub Date : 2021-12-11 DOI:10.19130/iifl.ap.2022.43.1.458722

Ilanan Feldman

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引用次数: 0

摘要

回顾接受电视剧《大屠杀》(1978年)的文化史，因为它重新定义了国家政治，并首次将证词置于文化领域的中心，破坏了在此之前人们对犹太种族灭绝的看法。本文旨在通过安妮特·维维奥尔卡和乔治·迪迪-休伯曼等人的贡献，通过与hbo电视剧《切尔诺贝利》(2019年)和其他电影作品的比较，讨论。在不同形式的国家暴力面前，在创伤的过去和受到威胁的未来面前，视听所能发挥的作用。

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De Holocausto (1978) a Chernobyl (2019): ¿Qué puede hacer el audiovisual ante un pasado traumático y un futuro amenazado?

Retracing the cultural history of the reception of the TV series Holocaust (1978) as it redefined the politics of the State and put the testimony for the first time at the centre of the cultural field, undermining how the Jewish genocide was perceived until then, the article aims at discuss —by the contributions of Annette Wieviorka and Georges Didi-Huberman, among others— through a comparison with the hbo series Chernobyl (2019) and other cinematographic productions, what audio-visual is capable of in front of different forms of State violence, of a traumatic past and of a threatened future.

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来源期刊

Acta Poetica Multiple-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.