{"title":"大屠杀期间托斯卡纳南部的犹太人:模糊的避难所朱迪思·鲁马尼著。纽约和伦敦:Lexington Books, 2021。226页。精装书100.00美元。ISBN: 978 - 1793629791。","authors":"J. Zimmerman","doi":"10.1017/S0008938922001698","DOIUrl":null,"url":null,"abstract":"experience into a way of seeing, the problem of people remembering not through photographs but only the photographs, would have enriched the book (On Photography [1978] and Regarding the Pain of Others). In an age obsessed with photographs, from Instagram food snaps to selfies posted by the armed men occupying Ukraine today, anyone with a smartphone adds to the historical record. The images can serve as evidence of crimes and culpability, they can offer us a glimpse of territories inaccessible due to occupation. They are capable of traumatising and retraumatising those affected by the violence they depict. Lower is conscious of the power that images carry, and she uses it to bring at least symbolic justice to the victims of the crime depicted in the photograph at the heart of The Ravine.","PeriodicalId":45053,"journal":{"name":"Central European History","volume":"56 1","pages":"132 - 134"},"PeriodicalIF":0.4000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jews in Southern Tuscany during the Holocaust: Ambiguous Refuge By Judith Roumani. New York and London: Lexington Books, 2021. Pp. 226. Hardcover $100.00. ISBN: 978-1793629791.\",\"authors\":\"J. Zimmerman\",\"doi\":\"10.1017/S0008938922001698\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"experience into a way of seeing, the problem of people remembering not through photographs but only the photographs, would have enriched the book (On Photography [1978] and Regarding the Pain of Others). In an age obsessed with photographs, from Instagram food snaps to selfies posted by the armed men occupying Ukraine today, anyone with a smartphone adds to the historical record. The images can serve as evidence of crimes and culpability, they can offer us a glimpse of territories inaccessible due to occupation. They are capable of traumatising and retraumatising those affected by the violence they depict. Lower is conscious of the power that images carry, and she uses it to bring at least symbolic justice to the victims of the crime depicted in the photograph at the heart of The Ravine.\",\"PeriodicalId\":45053,\"journal\":{\"name\":\"Central European History\",\"volume\":\"56 1\",\"pages\":\"132 - 134\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Central European History\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1017/S0008938922001698\",\"RegionNum\":3,\"RegionCategory\":\"人文科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Central European History","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/S0008938922001698","RegionNum":3,"RegionCategory":"人文科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
摘要
将经验转化为一种观看方式,人们不是通过照片而只是通过照片来记忆的问题,将丰富这本书(On Photography[1978]和concerning the Pain of Others)。在一个痴迷于照片的时代,从Instagram上的美食照片到今天占领乌克兰的武装分子发布的自拍,任何拥有智能手机的人都在创造历史记录。这些图像可以作为犯罪和罪责的证据,它们可以让我们一瞥由于占领而无法进入的领土。它们能够一次次地给那些受到它们所描绘的暴力影响的人造成创伤。Lower意识到图像所携带的力量,她用它来为《峡谷》中心的照片中所描绘的犯罪的受害者带来至少象征性的正义。
Jews in Southern Tuscany during the Holocaust: Ambiguous Refuge By Judith Roumani. New York and London: Lexington Books, 2021. Pp. 226. Hardcover $100.00. ISBN: 978-1793629791.
experience into a way of seeing, the problem of people remembering not through photographs but only the photographs, would have enriched the book (On Photography [1978] and Regarding the Pain of Others). In an age obsessed with photographs, from Instagram food snaps to selfies posted by the armed men occupying Ukraine today, anyone with a smartphone adds to the historical record. The images can serve as evidence of crimes and culpability, they can offer us a glimpse of territories inaccessible due to occupation. They are capable of traumatising and retraumatising those affected by the violence they depict. Lower is conscious of the power that images carry, and she uses it to bring at least symbolic justice to the victims of the crime depicted in the photograph at the heart of The Ravine.
期刊介绍:
Central European History offers articles, review essays, and book reviews that range widely through the history of Germany, Austria, and other German-speaking regions of Central Europe from the medieval era to the present. All topics and approaches to history are welcome, whether cultural, social, political, diplomatic, intellectual, economic, and military history, as well as historiography and methodology. Contributions that treat new fields, such as post-1945 and post-1989 history, maturing fields such as gender history, and less-represented fields such as medieval history and the history of the Habsburg lands are especially desired. The journal thus aims to be the primary venue for scholarly exchange and debate among scholars of the history of Central Europe.