重演的真相：在种族灭绝纪录片中重温、重建和质疑历史

IF 0.5 0 FILM, RADIO, TELEVISION

Studies in Documentary Film Pub Date : 2023-08-28 DOI:10.1080/17503280.2023.2244131

Juliann Koch

{"title":"重演的真相：在种族灭绝纪录片中重温、重建和质疑历史","authors":"Juliann Koch","doi":"10.1080/17503280.2023.2244131","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article seeks to renegotiate the relationship between reenactment, truth, history, and the archive in documentaries on genocide. It moves away from the common binaries surrounding the supposed creativity and fictionality of reenactments as opposed to the evidentiary and static archive, and instead reads reenactments as facilitating access to truth. Through four case studies of Claude Lanzmann’s Shoah (1985), Laurence Rees’s Auschwitz: The Nazis and the ‘Final Solution’ (2005), Rithy Panh’s The Missing Picture (2013), and Joshua Oppenheimer’s The Act of Killing (2012), it contends that reenactments in documentaries on genocide problematize the associations of an image’s supposed indexical link to a past event with truth. Instead, reenactments confront us with the constructed nature of historical narrative and enable us to see affective, factual, and ethical truths of the past unavailable through the archive.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"320 - 337"},"PeriodicalIF":0.5000,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The truth of reenactments: reliving, reconstructing, and contesting history in documentaries on genocide\",\"authors\":\"Juliann Koch\",\"doi\":\"10.1080/17503280.2023.2244131\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article seeks to renegotiate the relationship between reenactment, truth, history, and the archive in documentaries on genocide. It moves away from the common binaries surrounding the supposed creativity and fictionality of reenactments as opposed to the evidentiary and static archive, and instead reads reenactments as facilitating access to truth. Through four case studies of Claude Lanzmann’s Shoah (1985), Laurence Rees’s Auschwitz: The Nazis and the ‘Final Solution’ (2005), Rithy Panh’s The Missing Picture (2013), and Joshua Oppenheimer’s The Act of Killing (2012), it contends that reenactments in documentaries on genocide problematize the associations of an image’s supposed indexical link to a past event with truth. Instead, reenactments confront us with the constructed nature of historical narrative and enable us to see affective, factual, and ethical truths of the past unavailable through the archive.\",\"PeriodicalId\":43545,\"journal\":{\"name\":\"Studies in Documentary Film\",\"volume\":\"17 1\",\"pages\":\"320 - 337\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-08-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Documentary Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503280.2023.2244131\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Documentary Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503280.2023.2244131","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

摘要本文试图重新探讨种族灭绝纪录片中重演、真相、历史和档案之间的关系。它远离了围绕重演的所谓创造性和虚构性的常见二进制，而不是证据和静态档案，而是将重演解读为有助于了解真相。通过对克劳德·兰兹曼（Claude Lanzmann）的《大屠杀》（1985）、劳伦斯·里斯（Laurence Rees。相反，重演让我们面对历史叙事的构建本质，并使我们能够通过档案看到过去无法获得的情感、事实和道德真相。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The truth of reenactments: reliving, reconstructing, and contesting history in documentaries on genocide

ABSTRACT This article seeks to renegotiate the relationship between reenactment, truth, history, and the archive in documentaries on genocide. It moves away from the common binaries surrounding the supposed creativity and fictionality of reenactments as opposed to the evidentiary and static archive, and instead reads reenactments as facilitating access to truth. Through four case studies of Claude Lanzmann’s Shoah (1985), Laurence Rees’s Auschwitz: The Nazis and the ‘Final Solution’ (2005), Rithy Panh’s The Missing Picture (2013), and Joshua Oppenheimer’s The Act of Killing (2012), it contends that reenactments in documentaries on genocide problematize the associations of an image’s supposed indexical link to a past event with truth. Instead, reenactments confront us with the constructed nature of historical narrative and enable us to see affective, factual, and ethical truths of the past unavailable through the archive.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Studies in Documentary Film FILM, RADIO, TELEVISION-

CiteScore

1.00

自引率

16.70%

发文量

期刊介绍： Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.