美国黑人中的达利特

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
Suraj Yengde
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引用次数: 1

摘要

本文通过达利特-黑人研究的萌芽,对历史档案的严肃性进行了理论化。它通过对印度达利特人的关注来审视非裔美国人公共领域中种族和种姓项目的交叉点。黑人普遍主义通过媒体将达利特本体和身体政治视为酷儿。通过“兄弟姐妹团结”,它通过对相似条件的概念识别来扩展,而不是强调相似性或可能性来建立团结。在整个19世纪和20世纪,贱民制度和殖民主义是黑人公共领域重新组织其国际主义的两个棱镜,经常利用种族和种姓类比来描述后奴隶制社会的复杂模式,并富有想象力地在不同地域建立潜在的社区。最重要的达利特人物安贝德卡是一个重要的参考点。他的行动和策略被非裔美国媒体报道,知识分子和领导人从他的作品中获得灵感。正是通过安贝德卡,达利特-黑人斗争的档案得以建立。近年来,安贝德卡作为挑战黑人精英与印度占统治地位的种姓之间团结一致的主流叙事的兴趣的一部分,重新浮出水面。通过向当代关于种族和种姓的话语传达其更特殊的历史,我们可以建立新的社会想象,而不是建立在同一性的认同上,而是建立在与他人的关系/关联的感觉上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dalit in Black America
This article theorizes the gravitas of historical archive through a budding Dalit-Black studies. It looks at intersections of race and caste projects within the African American public sphere through an anchoring lens of concern for Dalits in India. The Black universalist vision exercised through media encompassed Dalit ontology and body politic as queering. Through “sibling solidarity,” it expanded through the conceptual identification of similar conditions as opposed to an emphasis on sameness or likeliness to build solidarity. Throughout the nineteenth and twentieth centuries, untouchability and colonialism were two prisms through which the Black public sphere reorganized its internationalism, often drawing on race-caste analogies to describe the complicated patterns of post-slavery society and to imaginatively formulate potential communities across diverse geographies. The foremost Dalit figure B. R. Ambedkar was an important reference point. His moves and strategies were reported in the African American press and intellectuals and leaders drew inspiration from his works. It is through Ambedkar that archives of Dalit-Black struggles were built, and in recent years Ambedkar has resurfaced as part of a growing interest in challenging dominant narratives of solidarity between the Black elite and Indian dominant castes. By informing contemporary discourses of race and caste with their more particular histories, we might build new social imaginaries founded not on an identification as sameness but rather through a feeling of relation/relatedness with another.
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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