“这当然是理想化的”：林赛·安德森的《除了圣诞节的每一天》

IF 0.2 1区艺术学 0 FILM, RADIO, TELEVISION

Journal of British Cinema and Television Pub Date : 2022-01-01 DOI:10.3366/jbctv.2022.0604

Paul Cornelius, Douglas Rhein

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引用次数: 0

摘要

这篇文章考察了林赛·安德森1957年的纪录片《除了圣诞节的每一天》，它是英国战后文化的独特产物，也对安德森自己的电影美学的发展做出了重大贡献。它还以安德森一年前制作的颇具影响力的纪录片《O Dreamland》为背景，讲述了除圣诞节外的每一天。这篇文章结合了对圣诞节的形式和背景分析，以及对这部电影的当代评价以及安德森自己的评论。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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‘Of course it is idealised’: Lindsay Anderson's Every Day Except Christmas

This article examines Lindsay Anderson's 1957 documentary, Every Day Except Christmas, as a distinct product of British post-war culture that also contributed significantly to the development of Anderson's own film aesthetic. It also sets Every Day Except Christmas against the background of Anderson's influential documentary made a year earlier, O Dreamland. The article combines formal and contextual analysis of Christmas with a review of contemporary assessments of the film as well as Anderson's own comments on it.

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来源期刊

Journal of British Cinema and Television FILM, RADIO, TELEVISION-

CiteScore

1.20

自引率

11.10%

发文量