印加帝国的混合物质文化(公元1400-1532年):分析钦查河谷La Centinela和Las Huacas的陶瓷组合

IF 1.1 3区 地球科学 Q2 ANTHROPOLOGY
Jordan A. Dalton
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引用次数: 0

摘要

陶瓷器皿的分布和杂交为当地精英和帝国官员如何驾驭帝国扩张提供了见解。本文介绍了钦查山谷La Centinela和Las Huacas遗址的陶瓷碎片数据,这些碎片可以追溯到印加占领时期(公元1400–1532年)。在钦察,印加人建立了一种联合统治的风格,印加人和地方当局紧密相连。陶瓷数据表明,印加帝国的设计和诊断形状在与印加直接存在相关的背景下数量最多,精英们用来发展其权威的器皿和设计类型在不同的背景下也有所不同:因此,整个钦察山谷的混合物质文化各不相同。这些不同的混合物质文化包括国家赞助的混合商品(印加人有意在其上融入钦察设计的印加器皿)和当地器皿形状,精英们在其上使用印加符号和器皿形状来向大多数当地观众表明自己的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hybrid Material Culture in the Inca Empire (AD 1400–1532): Analyzing the Ceramic Assemblages from La Centinela and Las Huacas, Chincha Valley
The distribution and hybridization of ceramic vessels provide insights into how local elites and imperial officials navigated imperial expansion. This article presents data on ceramic sherds from the sites of La Centinela and Las Huacas in the Chincha Valley that date to the period of Inca occupation (AD 1400–1532). In Chincha, the Inca established a style of joint rule in which Inca and local authority were closely aligned. The ceramic data demonstrate that Inca imperial designs and diagnostic shapes were most numerous in contexts associated with direct Inca presence and that the types of vessels and designs that elites used to develop their authority differed among the contexts: hybrid material culture thus varied throughout the Chincha Valley. These different hybrid material cultures include state-sponsored hybrid wares (Inca vessels, on which the Inca intentionally integrated Chincha designs) and local vessel shapes on which elites used Inca symbols and vessel shapes to assert their status to a mostly local audience.
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CiteScore
2.00
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