{"title":"上海吹笛:戴树红的音乐人生[沪上箫声:戴树红先生的音乐人生]. 2021年,海伦·里斯和阿帕娜·夏尔马执导,84分钟。中文,配英文字幕。彩色,DVD。潘唱片公司出品,Pan 9609。","authors":"Simon Debierre","doi":"10.1017/ytm.2022.24","DOIUrl":null,"url":null,"abstract":"De Huangjin Shidai.” (Kung Fu Stuntmen: There would have been no golden time of Hong Kong kungfu films without them). Sanlian Lifeweek (Sanlian Shenghuo Zhoukan), 21 September 2021. https://www.lifeweek.com.cn/art icle/138521. Steimer, Laura. 2021. Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance. Durham: Duke University Press. Wichmann, Elizabeth. 1991. Listening to Theatre: The Aural Dimension of Beijing Opera. Honolulu: University of Hawaii Press. Yung, Bell. 1989.Cantonese Opera: Performance as Creative Process. New York: Cambridge University Press. Yung, Sai-shing. 2006. “Moving Body: The Interactions Between Chinese Opera and Sction Cinema.” InHong Kong Connections: Transnational Imagination in Action Cinema, ed. Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-Kiu, 21–34. Durham: Duke University Press. Zhang Guoji. 2021. “Longhu Wushi Chenglong Man Paixi Wu Chuxian? Qian Jiale Jiehua Zhi Ju Xi Muhou Gongcheng” (Kung Fu Stuntmen: Jackie Chan was not interviewed because he was too busy with his own films? Chin Kar-lok explained that Chan was a fervent supporter behind the scene). HK01, 11 November 2021. https://www.hk01.com/sns/article/681996.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"54 1","pages":"195 - 199"},"PeriodicalIF":0.7000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Playing the Flute in Shanghai: The Musical Life of Dai Shuhong [沪上箫声:戴树红先生的音乐人生]. 2021. Directed by Helen Rees and Aparna Sharma, 84 minutes. In Chinese with English subtitles. Colour, DVD. Produced by Pan Records, PAN 9609.\",\"authors\":\"Simon Debierre\",\"doi\":\"10.1017/ytm.2022.24\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"De Huangjin Shidai.” (Kung Fu Stuntmen: There would have been no golden time of Hong Kong kungfu films without them). Sanlian Lifeweek (Sanlian Shenghuo Zhoukan), 21 September 2021. https://www.lifeweek.com.cn/art icle/138521. Steimer, Laura. 2021. Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance. Durham: Duke University Press. Wichmann, Elizabeth. 1991. Listening to Theatre: The Aural Dimension of Beijing Opera. Honolulu: University of Hawaii Press. Yung, Bell. 1989.Cantonese Opera: Performance as Creative Process. New York: Cambridge University Press. Yung, Sai-shing. 2006. “Moving Body: The Interactions Between Chinese Opera and Sction Cinema.” InHong Kong Connections: Transnational Imagination in Action Cinema, ed. Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-Kiu, 21–34. Durham: Duke University Press. Zhang Guoji. 2021. “Longhu Wushi Chenglong Man Paixi Wu Chuxian? Qian Jiale Jiehua Zhi Ju Xi Muhou Gongcheng” (Kung Fu Stuntmen: Jackie Chan was not interviewed because he was too busy with his own films? Chin Kar-lok explained that Chan was a fervent supporter behind the scene). HK01, 11 November 2021. https://www.hk01.com/sns/article/681996.\",\"PeriodicalId\":43357,\"journal\":{\"name\":\"YEARBOOK FOR TRADITIONAL MUSIC\",\"volume\":\"54 1\",\"pages\":\"195 - 199\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"YEARBOOK FOR TRADITIONAL MUSIC\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/ytm.2022.24\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"YEARBOOK FOR TRADITIONAL MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/ytm.2022.24","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Playing the Flute in Shanghai: The Musical Life of Dai Shuhong [沪上箫声:戴树红先生的音乐人生]. 2021. Directed by Helen Rees and Aparna Sharma, 84 minutes. In Chinese with English subtitles. Colour, DVD. Produced by Pan Records, PAN 9609.
De Huangjin Shidai.” (Kung Fu Stuntmen: There would have been no golden time of Hong Kong kungfu films without them). Sanlian Lifeweek (Sanlian Shenghuo Zhoukan), 21 September 2021. https://www.lifeweek.com.cn/art icle/138521. Steimer, Laura. 2021. Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance. Durham: Duke University Press. Wichmann, Elizabeth. 1991. Listening to Theatre: The Aural Dimension of Beijing Opera. Honolulu: University of Hawaii Press. Yung, Bell. 1989.Cantonese Opera: Performance as Creative Process. New York: Cambridge University Press. Yung, Sai-shing. 2006. “Moving Body: The Interactions Between Chinese Opera and Sction Cinema.” InHong Kong Connections: Transnational Imagination in Action Cinema, ed. Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-Kiu, 21–34. Durham: Duke University Press. Zhang Guoji. 2021. “Longhu Wushi Chenglong Man Paixi Wu Chuxian? Qian Jiale Jiehua Zhi Ju Xi Muhou Gongcheng” (Kung Fu Stuntmen: Jackie Chan was not interviewed because he was too busy with his own films? Chin Kar-lok explained that Chan was a fervent supporter behind the scene). HK01, 11 November 2021. https://www.hk01.com/sns/article/681996.