越南早期当代艺术:Đổi Mới作为全球化创新刺激的转变——1990年代河内

IF 0.5 Q3 AREA STUDIES
Iola Lenzi
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引用次数: 0

摘要

1986年Đổi Mới越南经济改革的社会影响得到了很好的研究。然而,Đổi Mới的变化与90年代艺术转型之间的联系并不明显。本研究考察了这些联系,以揭示-Đổi Mới之后,在越南主流艺术之外,在尚未全球开放的河内,先锋表达是如何出现的。本文运用艺术品分析和跨学科文献,聚焦于90年代河内的物质和社会景观对艺术的影响。它揭示了与东南亚当代艺术的相似之处,并得出结论,河内先锋实践构成了早期越南当代艺术,在没有强制性求助于外部模式的情况下扩展了区域20世纪艺术史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Early contemporary art in Vietnam: Đổi Mới shift as spur of innovation in globalizing 1990s-Hanoi
The social impacts of 1986 Đổi Mới economic reform in Vietnam are well-studied. However, connections between Đổi Mới change and 1990s artistic transformation are not. This study examines these ties to reveal how post-Đổi Mới, outside Vietnamese mainstream art, and in not yet globally-open Hanoi, vanguard expressions emerged. Using artwork analysis and cross-disciplinary literature, this paper spotlights how material and social landscapes of 1990s-Hanoi impacted art. It uncovers parallels with Southeast Asian contemporary art to conclude that Hanoi vanguard practices constituted early Vietnamese contemporary art expanding regional 20th century art history without obligatory recourse to outside models.
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来源期刊
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50.00%
发文量
33
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