Do murdoṁ ke lie guldastā: Ritratti di genere e gioco intertestuale nella prosa di Surendra Varmā

Do murdoṁ ke lie guldastā ( A bunch of flowers for two corpses ) is a novel by Surendra Varmā, published for the first time in 1998. It is a sort of reversed Bildungsroman, with a highly theatrical flavor, still almost unknown among Western readers and largely overlooked by Hindi scholars. With this paper I aim at investigating two specific aspects of the text that may encourage reflections on a planetary scale: the deconstruction of conventional gender roles and the presence of intertextual irony. After introducing the plot and the main characters — not only the corpses mentioned in the title, but also the city of Mumbai where most of the events take place — I will firstly linger over the pictures of masculinity and femininity provided by the author, and the beneath problematization of conventional gender roles. As regards this, I argue that  Surendra Varmā’s novel should be read as a possible counterpart of Hindi feminist writing, as it represents a different perspective from which to observe the transformations of gender roles and of the relationships between men and women. Subsequently, I will show how the author plays with intertextuality, introducing ironic and often desecrating connections between Itihāsa (particularly the Mahābhārata ) and his characters’ vicissitudes. Both these aspects of the novel are extremely thought-provoking and allow to link Varmā’s work to a conspicuous part of contemporary planetary literature.