Lena Khor, Caroline A. King, Takuya Matsuda, Rebecca Nicholson-Weir, C. Özmen, Cengiz Karagöz, W. Vaughan, Saswat Samay Das, Dhriti Shankar, M. Soderblom, Jean-Hugues Bita'a M.
{"title":"戴夫·埃格斯的《What is the What》中的封闭道德和开放爱情","authors":"Lena Khor, Caroline A. King, Takuya Matsuda, Rebecca Nicholson-Weir, C. Özmen, Cengiz Karagöz, W. Vaughan, Saswat Samay Das, Dhriti Shankar, M. Soderblom, Jean-Hugues Bita'a M.","doi":"10.1353/SCR.2021.0000","DOIUrl":null,"url":null,"abstract":"Abstract:This article attends to two key concerns in Dave Eggers' What is the What: The Autobiography of Valentino Achak Deng: A Novel (2006), namely: (1) why people don't (and do) fulfill their moral duties to those in need and (2) how to get people to do so. The novel contends that people don't help because they don't know, don't care, or aren't moved enough to act. It proposes that powerful storytelling can make people aware, care, and act. It embodies this solution by telling a moving story of Valentino, who needs help. At the same time, however, the novel is uncertain if skillful storytelling about those in need will be enough.I argue that What is the What's solutions to its two key concerns, while admirable, ultimately fall short because the novel overlooks a key factor that affects whether we meet our moral duties to humanity—our picture of morality. Our standard picture of morality codes and socializes us to fulfill our duties to family first, nation next, and finally humanity. This key insight is provided by Alexandre Lefebvre's Human Rights as a Way of Life: On Bergson's Political Philosophy (2013), an interpretation of Henri Bergson's The Two Sources of Morality and Religion (1935). 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引用次数: 0
摘要
摘要:本文关注戴夫·艾格斯的《What is the What:the Autobiography of Valentino Achak Deng:A Novel》(2006)中的两个关键问题,即:(1)人们为什么不(和确实)履行对需要帮助的人的道德义务,以及(2)如何让人们这样做。它提出,强有力的讲故事可以让人们意识到、关心和行动。它通过讲述华伦天奴需要帮助的感人故事来体现这一解决方案。然而,与此同时,这部小说还不确定,讲述那些需要帮助的人的故事是否足够。我认为,《What is the What’s solutions》对其两个关键问题的解决方案虽然令人钦佩,但最终还是功亏一篑,因为这部小说忽视了一个影响我们是否履行对人类的道德义务的关键因素——我们的道德观。我们的标准道德规范和社会化形象使我们首先履行对家庭的责任,其次履行对国家的责任,最后履行对人类的责任。这一关键见解由亚历山大·列斐伏尔的《人权作为一种生活方式:论柏格森的政治哲学》(2013)提供,该书解读了亨利·柏格森的《道德与宗教的两个来源》(1935)。这篇文章造成了关于“什么是什么”的学术以及迄今为止关于文学和人权的学术的空白,这些学术主要关注代表人类错误的美学和伦理,而不是可能纠正这些错误的条件
Closed Morality and Open Love in Dave Eggers' What is the What
Abstract:This article attends to two key concerns in Dave Eggers' What is the What: The Autobiography of Valentino Achak Deng: A Novel (2006), namely: (1) why people don't (and do) fulfill their moral duties to those in need and (2) how to get people to do so. The novel contends that people don't help because they don't know, don't care, or aren't moved enough to act. It proposes that powerful storytelling can make people aware, care, and act. It embodies this solution by telling a moving story of Valentino, who needs help. At the same time, however, the novel is uncertain if skillful storytelling about those in need will be enough.I argue that What is the What's solutions to its two key concerns, while admirable, ultimately fall short because the novel overlooks a key factor that affects whether we meet our moral duties to humanity—our picture of morality. Our standard picture of morality codes and socializes us to fulfill our duties to family first, nation next, and finally humanity. This key insight is provided by Alexandre Lefebvre's Human Rights as a Way of Life: On Bergson's Political Philosophy (2013), an interpretation of Henri Bergson's The Two Sources of Morality and Religion (1935). This article contributes to a gap in the scholarship on What is the What as well as the scholarship on literature and human rights that to date has predominantly focused on the aesthetics and ethics of representing human wrongs rather than the conditions that might allow for the righting of those wrongs