{"title":"殖民条件下的文明:1888-1907年斯瓦希里诗中的发展、差异和暴力","authors":"E. Burton","doi":"10.1080/13696815.2022.2027231","DOIUrl":null,"url":null,"abstract":"ABSTRACT For a global history of development, Swahili poems from the German colonial period are valuable sources as they help to question the diffusionist view of development discourses as colonial import. This article analyses how concepts of development (maendeleo) and civilisation (ustaarabu) figured in poems written by Swahili authors between 1888 and 1907. Going beyond a reading of these texts as pro- or anti-colonial, it shows the importance poets attached to urban infrastructural improvement. Poems were also informed by the self-image of the superior, urban, Muslim strata of coastal society (waungwana) in contrast to inferior non-Muslim inland societies (washenzi). Several poets suggested that inland societies should be disciplined, yet differences to coastal Swahili society were usually not couched in terms of temporality nor in terms of a civilising mission. Poets had to come to terms, however, with new power relations as a result of German conquest. While some authors openly criticised colonial violence, others also embraced colonial interventions in infrastructural and economic aspects – but still expressed nostalgia for the past. In sum, the poems constitute a transitional space in Swahili discourses on development, showing that these were not merely colonial imports but grew from multiple roots.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"244 - 261"},"PeriodicalIF":0.9000,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Civilisation under Colonial Conditions: Development, Difference and Violence in Swahili Poems, 1888–1907\",\"authors\":\"E. Burton\",\"doi\":\"10.1080/13696815.2022.2027231\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT For a global history of development, Swahili poems from the German colonial period are valuable sources as they help to question the diffusionist view of development discourses as colonial import. This article analyses how concepts of development (maendeleo) and civilisation (ustaarabu) figured in poems written by Swahili authors between 1888 and 1907. Going beyond a reading of these texts as pro- or anti-colonial, it shows the importance poets attached to urban infrastructural improvement. Poems were also informed by the self-image of the superior, urban, Muslim strata of coastal society (waungwana) in contrast to inferior non-Muslim inland societies (washenzi). Several poets suggested that inland societies should be disciplined, yet differences to coastal Swahili society were usually not couched in terms of temporality nor in terms of a civilising mission. Poets had to come to terms, however, with new power relations as a result of German conquest. While some authors openly criticised colonial violence, others also embraced colonial interventions in infrastructural and economic aspects – but still expressed nostalgia for the past. In sum, the poems constitute a transitional space in Swahili discourses on development, showing that these were not merely colonial imports but grew from multiple roots.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"34 1\",\"pages\":\"244 - 261\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2022.2027231\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2022.2027231","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Civilisation under Colonial Conditions: Development, Difference and Violence in Swahili Poems, 1888–1907
ABSTRACT For a global history of development, Swahili poems from the German colonial period are valuable sources as they help to question the diffusionist view of development discourses as colonial import. This article analyses how concepts of development (maendeleo) and civilisation (ustaarabu) figured in poems written by Swahili authors between 1888 and 1907. Going beyond a reading of these texts as pro- or anti-colonial, it shows the importance poets attached to urban infrastructural improvement. Poems were also informed by the self-image of the superior, urban, Muslim strata of coastal society (waungwana) in contrast to inferior non-Muslim inland societies (washenzi). Several poets suggested that inland societies should be disciplined, yet differences to coastal Swahili society were usually not couched in terms of temporality nor in terms of a civilising mission. Poets had to come to terms, however, with new power relations as a result of German conquest. While some authors openly criticised colonial violence, others also embraced colonial interventions in infrastructural and economic aspects – but still expressed nostalgia for the past. In sum, the poems constitute a transitional space in Swahili discourses on development, showing that these were not merely colonial imports but grew from multiple roots.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.