作为第三空间的数字环境:MOdE房间中简单人工制品的分析

C. Panciroli, Veronica Russo
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引用次数: 0

摘要

随着允许用户设计和制作内容的数字环境的传播,我们问自己,数字博物馆是否可以被视为“第三空间”,在这个空间中,人们可以在一个共享的叙事、材料和来自不同背景的经验中进行展览、研究、汇总和重新设计。将数字博物馆设想为介于正式与非正式、存在与距离、真实与数字之间的第三个污染空间,需要对博物馆本身的功能进行重新思考,能够连接对保护的需求和对文化遗产的可访问性的需求,以获取日益开放的知识。从这些场所开始,这个贡献参考了数字博物馆Museo Officina dell’educazione (MOdE)作为第三个空间,具体分析了高中学生和大学生的数字设置。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Digital environments as third spaces: analyses of simple artefacts in the rooms of the MOdE
Abstract With the spread of digital environments that allow the user to design and produce contents, we have asked ourselves whether digital museums can be considered as ‘third spaces’ in which it is possible to exhibit, research, aggregate and re-elaborate, in a shared narrative, materials and experiences coming from different contexts. Conceiving the digital museum as a third space of contamination between formal and informal, presence and distance, real and digital presupposes the rethinking of the functions of the museum itself, capable of connecting both the demands for safeguards and those of accessibility to the cultural heritage, for an access to knowledge that is increasingly open. Starting from these premises, this contribution references the digital museum Museo Officina dell’Educazione (MOdE) as a third space by specifically analysing the digital settings produced by students of the upper secondary schools and by university students.
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