{"title":"萨拉·J·马的《玻璃王座》系列：后女权主义的解放幻想","authors":"H. Brown","doi":"10.1353/chl.2022.0013","DOIUrl":null,"url":null,"abstract":"Abstract:This article examines the portrayal of female characters overcoming victimization in Sarah J. Maas's bestselling high fantasy Throne of Glass (2012-18) septet. It argues that the series highlights problematic aspects of a poststructuralist-based postfeminism and ultimately reinstates the \"victim-blaming\" narratives it strives to subvert.","PeriodicalId":40504,"journal":{"name":"Childrens Literature","volume":"50 1","pages":"248 - 268"},"PeriodicalIF":0.2000,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sarah J. Maas's Throne of Glass Series: A Postfeminist Fantasy of Emancipation\",\"authors\":\"H. Brown\",\"doi\":\"10.1353/chl.2022.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article examines the portrayal of female characters overcoming victimization in Sarah J. Maas's bestselling high fantasy Throne of Glass (2012-18) septet. It argues that the series highlights problematic aspects of a poststructuralist-based postfeminism and ultimately reinstates the \\\"victim-blaming\\\" narratives it strives to subvert.\",\"PeriodicalId\":40504,\"journal\":{\"name\":\"Childrens Literature\",\"volume\":\"50 1\",\"pages\":\"248 - 268\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-05-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Childrens Literature\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.1353/chl.2022.0013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childrens Literature","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.1353/chl.2022.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
摘要：本文探讨了萨拉·J·马斯（Sarah J.Maas）畅销奇幻小说《玻璃王座》（Throne of Glass，2012-18）七重奏中女性角色克服迫害的形象。它认为，该系列突出了基于后结构主义的后女权主义的问题方面，并最终恢复了它试图颠覆的“指责受害者”叙事。
Sarah J. Maas's Throne of Glass Series: A Postfeminist Fantasy of Emancipation
Abstract:This article examines the portrayal of female characters overcoming victimization in Sarah J. Maas's bestselling high fantasy Throne of Glass (2012-18) septet. It argues that the series highlights problematic aspects of a poststructuralist-based postfeminism and ultimately reinstates the "victim-blaming" narratives it strives to subvert.
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