印尼西爪哇万隆盲人的多重身份与印象管理

Kadri Kadri, D. Mulyana
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引用次数: 0

摘要

本研究旨在揭示40名盲人的多重身份,并建立一个可能不同于非残疾人印象管理的盲人印象管理模型。这项研究的对象是那些成年后失明但之前身体健全的人。身体状况的变化之后是心理变化,影响他们与社会环境的沟通方式,这是以印象管理努力为标志的。本研究采用解释的视角,更具体地说,是一种主要依靠观察作为方法的戏剧方法,揭示了盲人的印象管理与他们的自信有关。他们的自信心越低,他们在印象管理上付出的努力就越高。盲人的印象管理有两种策略:第一,不使用黑色眼镜和白色手杖等个人形象;第二,加入一个表演团队。这些发现强化了盲人和健全人在印象管理方面的区别。非残疾人在管理前台印象时通常使用个人前台。本研究在发现盲人印象管理具有独特性的基础上,丰富了戈夫曼的戏剧理论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Blind People’s Multiple Identity And Impression Management In Bandung, West Java, Indonesia
This research aims to uncover the multiple identities of 40 blind people and develop a model of their impression management that may be different from the impression management of nondisabled people. Blind people as subjects of this study are those who experience blindness in adulthood but were able-bodied before. Changes in physical conditions are followed by psychological changes that affect the way they communicate with their social environment, which is marked by impression management efforts. Using an interpretive perspective, more specifically a dramaturgical approach relying largely on observation as its method, the study reveals that the blind’s impression management is related to their self-confidence. The lower self-confidence they possess, the higher effort of impression management they make. The blind’s impression management is conducted in two strategies: first, by not using a personal front like black eyeglasses and a white stick; and secondly, by involving a performance team. These findings reinforce the distinction between the blind and the able-bodied people in their impression management. The nondisabled people usually use the personal front when managing the impression on the front stage. Based on finding that the blind’s impression management is distinctive in nature, this study has enriched Goffman's dramaturgical theory.
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