在那里和不在那里:与大屠杀幸存者访谈的诗意遭遇中的同理心

Q1 Arts and Humanities
Anna Veprinska
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引用次数: 1

摘要

摘要在视觉历史档案馆的采访中,数百名大屠杀幸存者朗诵诗歌。这篇文章考察了两位诗人幸存者玛莎·奥斯瓦特和雅各布·罗森伯格所写和阅读的诗歌中的移情,以及我在观看他们的采访后所写的两首诗中的移情。意识到移情帮助和伤害的双重潜力,幸存者背诵的诗和我的回应诗都不同地请求和拒绝移情,我称之为移情失调。这篇学术创新论文认为,在大屠杀的背景下,移情是可疑的,并探讨了处理他人创伤经历的道德界限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
There and un-there: empathy in poetic encounters with Holocaust survivor interviews
ABSTRACT During their interviews with the Visual History Archive, hundreds of Holocaust survivors recite poems. This article examines empathy in poetry written and read by two poet-survivors, Martha Osvat and Jacob Rosenberg, as well as empathy in two poems I write after viewing their interviews. Recognizing the dual potential of empathy to help and harm, both the poems the survivors recite and my response poems variously request and refuse empathy in a process I term empathetic dissonance. This academic-creative paper argues that empathy is suspect in the context of the Holocaust and probes the ethical boundaries of approaching another’s traumatic experiences.
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来源期刊
Holocaust Studies
Holocaust Studies Arts and Humanities-History
CiteScore
1.20
自引率
0.00%
发文量
31
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