{"title":"阿尔及利亚话语中的抵抗之火:一个比喻的谱系","authors":"G. Austin, Gemma McKinnie","doi":"10.1177/09571558221092963","DOIUrl":null,"url":null,"abstract":"This article takes as its starting point the use of fire as a political metaphor by Algerians who participated in the Screening Violence research project; it emerged in these discussions as a trope of struggle and conflict in Algeria. In part, this political imaginary has been influenced by France, where fire has historically represented freedom and resistance to unjust powers. However, this inheritance has not been received passively in Algeria, and its irony in a colonial context contributes to a complex relationship with tropes of resistance in Algerian cultural and social discourse. We therefore trace a genealogy of the trope of fire which acknowledges the inevitable and significant contribution of the French political imaginary to the Algerian, but which also recognises the distinct cultural modes of resistance taken up by Algerian artists and political activists themselves, from the Algerian Revolution of 1954 to the Hirak protests of 2019.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"315 - 327"},"PeriodicalIF":0.4000,"publicationDate":"2022-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fires of resistance in Algerian discourse: A genealogy of a trope\",\"authors\":\"G. Austin, Gemma McKinnie\",\"doi\":\"10.1177/09571558221092963\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article takes as its starting point the use of fire as a political metaphor by Algerians who participated in the Screening Violence research project; it emerged in these discussions as a trope of struggle and conflict in Algeria. In part, this political imaginary has been influenced by France, where fire has historically represented freedom and resistance to unjust powers. However, this inheritance has not been received passively in Algeria, and its irony in a colonial context contributes to a complex relationship with tropes of resistance in Algerian cultural and social discourse. We therefore trace a genealogy of the trope of fire which acknowledges the inevitable and significant contribution of the French political imaginary to the Algerian, but which also recognises the distinct cultural modes of resistance taken up by Algerian artists and political activists themselves, from the Algerian Revolution of 1954 to the Hirak protests of 2019.\",\"PeriodicalId\":12398,\"journal\":{\"name\":\"French Cultural Studies\",\"volume\":\"33 1\",\"pages\":\"315 - 327\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-04-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/09571558221092963\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/09571558221092963","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Fires of resistance in Algerian discourse: A genealogy of a trope
This article takes as its starting point the use of fire as a political metaphor by Algerians who participated in the Screening Violence research project; it emerged in these discussions as a trope of struggle and conflict in Algeria. In part, this political imaginary has been influenced by France, where fire has historically represented freedom and resistance to unjust powers. However, this inheritance has not been received passively in Algeria, and its irony in a colonial context contributes to a complex relationship with tropes of resistance in Algerian cultural and social discourse. We therefore trace a genealogy of the trope of fire which acknowledges the inevitable and significant contribution of the French political imaginary to the Algerian, but which also recognises the distinct cultural modes of resistance taken up by Algerian artists and political activists themselves, from the Algerian Revolution of 1954 to the Hirak protests of 2019.
期刊介绍:
French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth and Twentieth Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate. French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture.