“新卡拉拉”:在漫长的十九世纪为艺术思想和经济利益服务的拉萨大理石

IF 0.3 3区 艺术学 0 ART
Ingeborg Schemper-Sparholz, Caroline Mang
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引用次数: 0

摘要

这篇文章讨论了拉萨大理石,一种在南蒂罗尔开采的明亮、白色、耐候的石头,在19世纪的过程中,它被认为与卡拉拉大理石平等,甚至优于卡拉拉大理石。由于其质量,拉萨大理石一直并将继续出口到世界各地。本文从三个艺术史的角度来考虑“新卡拉拉”:它在19世纪地质学和艺术史这两个年轻学科相互交织的背景下的重新发现;在维也纳环城大街新建筑的背景下,它的使用和语义质量;最后,在Laas的采石场建立艺术家殖民地的各种项目,其宣布的目标是植根于修道院的和谐和以旅游为导向的计算。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘New Carrara’: Lasa marble in the service of artistic ideas and economic interests during the long nineteenth century
This article discusses Lasa marble, a bright, white and weather-resistant stone quarried in South Tyrol, which in the course of the nineteenth century came to be considered equal, and even superior, to Carrara marble. Because of its quality, Lasa marble has been and continues to be exported worldwide. The article considers the ‘new Carrara’ in light of three art-historical topics: its rediscovery against the background of the intertwining of the young disciplines of geology and art history in the nineteenth century; its use and semantic quality in the context of the new buildings along the Ringstrasse in Vienna; and finally, the various projects for the establishment of artists’ colonies at the quarries of Laas, the declared objectives of which were rooted between monastic harmony and tourism-oriented calculation.
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CiteScore
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