“透过窗户挥手”:《亲爱的埃文·汉森》中的怀旧和假肢记忆

Pub Date : 2020-12-01 DOI:10.1386/SMT_00044_1
L. Barr
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引用次数: 0

摘要

《亲爱的埃文·汉森》(Dear Evan Hansen)是一部广受欢迎的百老汇音乐剧,它的叙事以连通性和主角的社交焦虑为中心,它为当代美国音乐剧中标准的怀旧倾向提供了一种颠覆性的可能性。怀旧以戏剧的方式为观众提供了一个回忆理想化的过去的机会,这种过去充满了他们正在观看的音乐剧的积极影响。亲爱的埃文·汉森对假肢记忆的使用打破了当代音乐剧的怀旧传统。本文运用戏剧分析来识别怀旧和假记忆的叙事操作,将《亲爱的埃文·汉森》作为对美国音乐剧经典的干预,定位为颠覆性的潜力。
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‘Waving through a window’: Nostalgia and prosthetic memory in Dear Evan Hansen
Dear Evan Hansen, a popular Broadway musical whose narrative centres on connectivity and the protagonist’s social anxiety, offers a disruptive potential to the otherwise standard nostalgic leanings of the contemporary American musical. Operating dramaturgically, nostalgia offers the audience an opportunity to recall an idealized past that imbues the musical they are witnessing with their own positive affect. Dear Evan Hansen’s use of prosthetic memory disrupts the nostalgic tradition of the contemporary musical. Using dramaturgical analysis to identify the narrative operation of nostalgia and prosthetic memory, this article situates the disruptive potential of Dear Evan Hansen as an intervention into the American musical theatre canon writ large.
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