《控制的种子:日本在朝鲜殖民地的森林帝国》大卫·费德曼著(书评)

IF 0.2 Q4 AREA STUDIES
Wybe Kuitert
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引用次数: 0

摘要

韩国字母表的发明对文本交流的影响,韩国对理学的挪用,非官方地方精英的政治代理,以及国家与沙林之间的相互关系。它在各章广泛的档案研究的基础上,对字母的实质性进行了仔细的研究,提请人们注意字母的物理形式及其对文本语义和功能价值的影响。我推荐这本书给那些对文本文化、通信和技术史以及韩国研究感兴趣的学者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Seeds of Control: Japan’s Empire of Forestry in Colonial Korea by David Fedman (review)
society, such as the effect of the invention of the Korean alphabet on textual communication, the Korean appropriation of Neo­Confucianism, the political agency of nonofficial local elites, and the interrelationship between the state and the sarim. Its careful examination of the materiality of letters, based on extensive archival research sprinkled through the chapters, calls attention to their physical form and effect on the semantic and functional values of the text. I recommend this book for scholars who are interested in textual culture, the history of communication and technology, and Korean studies.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
11
期刊介绍: Published twice a year under the auspices of the Kyujanggak Institute for Korean Studies at Seoul National University, the Seoul Journal of Korean Studies (SJKS) publishes original, state of the field research on Korea''s past and present. A peer-refereed journal, the Seoul Journal of Korean Studies is distributed to institutions and scholars both internationally and domestically. Work published by SJKS comprise in-depth research on established topics as well as new areas of concern, including transnational studies, that reconfigure scholarship devoted to Korean culture, history, literature, religion, and the arts. Unique features of this journal include the explicit aim of providing an English language forum to shape the field of Korean studies both in and outside of Korea. In addition to articles that represent state of the field research, the Seoul Journal of Korean Studies publishes an extensive "Book Notes" section that places particular emphasis on introducing the very best in Korean language scholarship to scholars around the world.
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