{"title":"德国当代戏剧中玩偶之家的重新装修——易卜生《诺拉》的多重创作","authors":"Clemens Räthel","doi":"10.1080/15021866.2020.1757302","DOIUrl":null,"url":null,"abstract":"The last time I went to see Ibsen’s A Doll’s House (1879) staged in Berlin, I was taken by surprise that, afterwards, a colleague did not ask me how much, or even if, I liked the production or the ...","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15021866.2020.1757302","citationCount":"2","resultStr":"{\"title\":\"Redecorating A Doll’s House in Contemporary German Theater—Multiple Authorship in Ibsen’s Nora\",\"authors\":\"Clemens Räthel\",\"doi\":\"10.1080/15021866.2020.1757302\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The last time I went to see Ibsen’s A Doll’s House (1879) staged in Berlin, I was taken by surprise that, afterwards, a colleague did not ask me how much, or even if, I liked the production or the ...\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/15021866.2020.1757302\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15021866.2020.1757302\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15021866.2020.1757302","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Redecorating A Doll’s House in Contemporary German Theater—Multiple Authorship in Ibsen’s Nora
The last time I went to see Ibsen’s A Doll’s House (1879) staged in Berlin, I was taken by surprise that, afterwards, a colleague did not ask me how much, or even if, I liked the production or the ...
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