不死文本和爱恨他们的学科

IF 0.9 2区 社会学 Q2 ANTHROPOLOGY
L. Daston, Sharon Marcus
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引用次数: 2

摘要

Undead Texts是曾经被列入每个阅读清单的书籍,被无数书籍和文章引用,无休止地讨论和辩论。尽管这些作品的作者对自己的学识轻描淡写,但《不死文本》在智力上雄心勃勃,博学多才,引用了一系列超越学科、流派、时代和语言界限的参考文献。这些品质使他们容易受到专家的反驳;他们提出的几乎每一项主张都受到了后来学术界的质疑、批评或驳斥。没有一个认可的学者仍然相信他们。然而,这些文本并没有消亡。它们从未绝版,继续被翻译成多种语言,仍然出现在许多本科生的教学大纲中——有时是由那些通过挑战这些作品而名声大噪的学者分配的。在当前学术学科定义的时代,这些学术但反学科的书籍有很多东西可以教给那些蔑视它们的学科。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Undead Texts and the Disciplines That Love to Hate Them
Undead Texts are books once assigned on every reading list, cited in countless books and articles, endlessly discussed and debated. Although the authors of these works wore their learning lightly, the Undead Texts were intellectually ambitious and formidably erudite, drawing on a range of references that defied boundaries among disciplines, genres, epochs, and languages. Those qualities made them vulnerable to specialist rebuttals; almost every claim they made has been queried, criticized, or refuted by subsequent scholarship. No accredited academic still believes them. Yet these texts refuse to die. They have never been out of print, continue to be translated into multiple languages, and still appear on many undergraduate syllabi—sometimes assigned by the very scholars who made their reputations by challenging these works. In the current age of disciplinary definitions of scholarship, these scholarly but anti-disciplinary books have much to teach the very disciplines that scorn them.
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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