{"title":"《黑人与女性","authors":"Gio Swaby","doi":"10.1080/00086495.2022.2139503","DOIUrl":null,"url":null,"abstract":"MY WORK CENTRES ON AN EXPLORATION OF Blackness and womanhood through textile-based portraiture. Working through the lens of Black feminist thought, I have investigated restorative modes of resistance and constructed a supportive framework by which to utilise them. This work is an inquiry into the portrait as a tool of resistance and is motivated by the desire to represent Black women in a way that is nuanced, multilayered and honest.","PeriodicalId":35039,"journal":{"name":"Caribbean Quarterly","volume":"68 1","pages":"479 - 484"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blackness and Womanhood\",\"authors\":\"Gio Swaby\",\"doi\":\"10.1080/00086495.2022.2139503\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"MY WORK CENTRES ON AN EXPLORATION OF Blackness and womanhood through textile-based portraiture. Working through the lens of Black feminist thought, I have investigated restorative modes of resistance and constructed a supportive framework by which to utilise them. This work is an inquiry into the portrait as a tool of resistance and is motivated by the desire to represent Black women in a way that is nuanced, multilayered and honest.\",\"PeriodicalId\":35039,\"journal\":{\"name\":\"Caribbean Quarterly\",\"volume\":\"68 1\",\"pages\":\"479 - 484\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Caribbean Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00086495.2022.2139503\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Caribbean Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00086495.2022.2139503","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
MY WORK CENTRES ON AN EXPLORATION OF Blackness and womanhood through textile-based portraiture. Working through the lens of Black feminist thought, I have investigated restorative modes of resistance and constructed a supportive framework by which to utilise them. This work is an inquiry into the portrait as a tool of resistance and is motivated by the desire to represent Black women in a way that is nuanced, multilayered and honest.
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