关于苏联电影喜剧音频描述中喜剧的符号间转移

Maria Mocarz-Kleindienst
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引用次数: 0

摘要

音频描述(AD)是电影中的一个附加配乐,包含关于屏幕上发生的事情的简洁的口头信息。广告的语言应该在词汇和风格上与电影类型相适应。这意味着电影喜剧中的广告语言应该包含一些喜剧作为一种美学范畴的言语“信号”。本研究的作者试图分析情景喜剧和人物喜剧这两种主要的喜剧类型的词汇和风格传达手段,除了直接在人物言语中表达的口头手段。研究材料包括以下苏联电影喜剧:《我们来自爵士乐》(K.Shakhnazarov执导,1983年)、《秋天的马拉松》(G.Daneliya执导,1979年)和《十二把椅子》(L.Gaidai执导,1971年)。分析证明,AD的言语轨迹反映了角色最重要的性格特征,以及角色的特征(外表、性格特征)和行为方式。喜剧的类型决定了语言和风格手段的组合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
О интерсемиотической передаче комического в аудиодескрипции к советским кинокомедиям
Audio description (AD) is an additional soundtrack in a film containing concise, verbal information about what is happening on the screen. The language of the AD should be appropriate to the genre of the film lexically and stylistically. This means that the language of AD in film comedies should contain some verbal ‘signals’ of the comic as an aesthetic category. The author of the presented research has attempted to analyse lexical and stylistic means of conveying situational comic and character comic as the two main types of comic, apart from the verbal one expressed directly in the characters’ speech. The material for the research included the following Soviet film comedies: We are from jazz (directed by K. Shakhnazarov, 1983), Autumn marathon (directed by G. Daneliya, 1979), and The twelve chairs (directed by L. Gaidai, 1971). The analysis proved that the verbal track of the AD reflects the most important peripeteia of the characters, and together with them the features of the characters (appearance, character traits), the manner of their behaviour. The set of llinguistic and stylistic means is determined by the type of the comedy.
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