什么是时尚教育?服装设计教育过程中设计手法的殖民性思考

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Tanveer Ahmed
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引用次数: 0

摘要

在时尚研究中,以暴露占主导地位的欧洲中心叙事倾向于关注时尚理论和历史,忽视了时尚设计过程,特别是在基于工作室的实践和教育中。然而,分析殖民系统如何在时装设计过程中再现以欧洲为中心的时装知识,可能有助于找到实践和教授时装设计的替代异类方法。借鉴lostanova设计理念的殖民性,本文探讨了性别化、种族化和资本主义纪律力量是如何支撑时尚课堂中使用的工具和设备的。为了揭示支撑时尚的种族等级,需要重新思考一些以欧洲为中心的时尚认识论的主导假设,将时尚的社会文化背景置于语境中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What is education in fashion? Reflecting on the coloniality of design techniques in the fashion design educational process
Research in fashion to expose dominant Eurocentric narratives tends to focus on fashion theories and histories, neglecting fashion design processes, especially within studio-based practices and in education. However, analysing how colonial systems reproduce Eurocentric fashion knowledge in the fashion design process might help locate alternative heterogeneous ways to practise and teach fashion design. Drawing on Tlostanova’s coloniality of design concept, this article investigates how gendered, racialized and capitalist disciplinary forces have underpinned the tools and equipment used in the fashion classroom. To expose the racial hierarchies underpinning fashion requires rethinking some of the dominant assumptions of Eurocentric fashion epistemologies to contextualize the sociocultural contexts of fashion.
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来源期刊
International Journal of Fashion Studies
International Journal of Fashion Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.90
自引率
25.00%
发文量
25
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