希腊神话在阿加莎·克里斯蒂侦探小说中的文本运用

IF 0.3 0 LANGUAGE & LINGUISTICS
Tatiana Ternopol
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引用次数: 0

摘要

本研究考察了阿加莎·克里斯蒂的短篇小说《菲洛梅尔小屋》、《海伦的脸》和《德尔斐神谕》、短篇小说集《赫拉克勒斯的劳动》和小说《复仇女神》中希腊神话的互文运用。基于解释学和比较方法的研究结果表明,A.克里斯蒂的互文公式是随着时间的推移而发展起来的。在她的早期作品中,典故是基于人物的外表和功能,以及希腊神话中的图案和主题的使用。后来,她开始使用暗示性的人物名字;这会误导她的读者,他们认为自己已经知道她的故事的公式。虽然不是一个后现代作家,a.克里斯蒂喜欢和她的读者玩影射游戏。她希望它们不仅能解决一个案件,而且能发现和解释互文参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Intertextual Use of Greek Mythology in Agatha Christie’s Detective Fiction
This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead her readers who thought they already knew the formula of her stories. Although not a postmodern writer, A. Christie enjoyed playing games of allusion with her readers. She wanted them not only to solve a case but also to discover and interpret the intertextual references.
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来源期刊
English Studies at NBU
English Studies at NBU LANGUAGE & LINGUISTICS-
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