{"title":"戏剧评论","authors":"Peter Billingham, Stephanie Mercier, Lisa Hopkins","doi":"10.18778/2083-8530.20.13","DOIUrl":null,"url":null,"abstract":"Shakespeare Bulletin 28.2: 253–312 © 2010 The Johns Hopkins University Press. Othello Presented by The Public Theater/LAByrinth Theater Company at the NYU Skirball Center, September 12–October 4 2009. Directed by Peter Sellars. Scenic Design by Gregor Holzinger. Costume Design by Mimi O’Donnell. Lighting Design by James F. Ingalls. Original Music and sound by Mark Grey. With Julian Acosta (Roderigo), Gaius Charles (Duke of Venice), Jessica Chastain (Desdemona), Liza Colón-Zayas (Emilia), Saidah Arrika Ekulona (Bianco Montano, Governor of Cyprus), Philip Seymour Hoffman (Iago), Leroy Mcclain (Cassio), and John Ortiz (Othello).","PeriodicalId":40600,"journal":{"name":"Multicultural Shakespeare-Translation Appropriation and Performance","volume":"20 1","pages":"173 - 182"},"PeriodicalIF":0.1000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Theatre Reviews\",\"authors\":\"Peter Billingham, Stephanie Mercier, Lisa Hopkins\",\"doi\":\"10.18778/2083-8530.20.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Shakespeare Bulletin 28.2: 253–312 © 2010 The Johns Hopkins University Press. Othello Presented by The Public Theater/LAByrinth Theater Company at the NYU Skirball Center, September 12–October 4 2009. Directed by Peter Sellars. Scenic Design by Gregor Holzinger. Costume Design by Mimi O’Donnell. Lighting Design by James F. Ingalls. Original Music and sound by Mark Grey. With Julian Acosta (Roderigo), Gaius Charles (Duke of Venice), Jessica Chastain (Desdemona), Liza Colón-Zayas (Emilia), Saidah Arrika Ekulona (Bianco Montano, Governor of Cyprus), Philip Seymour Hoffman (Iago), Leroy Mcclain (Cassio), and John Ortiz (Othello).\",\"PeriodicalId\":40600,\"journal\":{\"name\":\"Multicultural Shakespeare-Translation Appropriation and Performance\",\"volume\":\"20 1\",\"pages\":\"173 - 182\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Multicultural Shakespeare-Translation Appropriation and Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18778/2083-8530.20.13\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Multicultural Shakespeare-Translation Appropriation and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18778/2083-8530.20.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0