“无家可归者”:现代主义、无家可归和不稳定

IF 0.3 3区 文学 0 LITERATURE
Laura Ryan
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引用次数: 0

摘要

在过去的二三十年里,现代主义学术在很大程度上超越了异化的、流亡的现代主义作家的神话形象,并无疑对其提出了挑战。这些人物通常是自愿被流放的,“无家可归”只是一个比喻,但他们的经历长期以来一直被称赞为现代主义形式创新的理想条件。这篇文章探讨了到目前为止,在现代主义学术中,无家可归和不稳定的问题是如何被考虑的,认为需要做更多的工作来解释作家的特殊经历,我在这里称之为“无家可归的现代主义者”,以及不稳定的住房对现代主义美学和主题的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘[P]oets unhoused’: Modernism, homelessness and precarity

In the past 2 or 3 decades, modernist scholarship has largely moved beyond and certainly challenged the mythologised trope of the alienated, exiled modernist writer. Such figures were generally exiled by choice and ‘homeless’ only metaphorically, but their experiences have long been lauded as the ideal conditions for modernist formal innovations. This essay explores the ways in which issues of homelessness and precarity have been considered thus far in modernist scholarship, arguing that more work is needed to account for the particular experiences of writers I here call the ‘homeless modernists’ and the impact of unstable housing upon modernist aesthetics and themes.

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来源期刊
Literature Compass
Literature Compass LITERATURE-
CiteScore
0.50
自引率
33.30%
发文量
39
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