将计算引入文化理论:四个好理由(和一个坏理由)

IF 0.8 2区 文学 0 LITERATURE
C. Childress
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引用次数: 0

摘要

摘要:我们过去常聊天。我所说的“我们”是指文化社会学家和人文学科学者,我所说“过去常说话”是指承认彼此的存在,有时甚至可能慷慨地承认。关于所发生的事情,有不同的说法,其中一种比另一种更具智识,尽管这两种说法都不完全正确。更理智的说法是,在20世纪80年代末和90年代初的一段短暂时间里,我们的利益似乎会趋同。大约在同一时间,我们中的许多人不再被指责流行文化,而是认为与监管世界相比,参与世界更富有成效和有趣。我们中的一些人也提出了类似的问题,无论是关于作者的角色,以及他们强制、引导或推动读者理解某些意义的能力(或缺乏能力),或者解释团体和群体的作用,以缓冲这些意义的冲击,或者重新产生本地化的意义。因此,我们聚集在像I.A.Richards、Wolfgang Iser、Hans Robert Jauss、Mikhail Bakhtin、Stanley Fish、Roland Barthes或Michel Foucault这样的人周围,有时我们甚至相互引用,然后一切都逐渐消失了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bringing Computation into Cultural Theory: Four Good Reasons (and One Bad One)
Abstract:We used to talk. By "we" I mean cultural sociologists and scholars in the humanities, and by "used to talk" I mean acknowledge each other's existence, at times perhaps even generously so. There are different versions as to what happened, one of which is a bit more intellectual than the other, although neither of which are entirely right. The more intellectual version is that for a brief spell in the late 1980s and early 1990s it looked like our interests might converge. At around the same time, many of us stopped being scolds about popular culture, deciding instead that it was more fruitful and interesting to engage the world than to police it. Some of us were also asking similar questions, be it about the role of authors and their ability (or lack thereof) to enforce, guide, or push readers into certain meanings, or about the role of interpretive communities and groups either to buffer against the impingement of those meanings or to generate localized meanings all anew. So we congregated around folks such as I. A. Richards, Wolfgang Iser, Hans Robert Jauss, Mikhail Bakhtin, Stanley Fish, Roland Barthes, or Michel Foucault, and sometimes we even cited each other too, and then it just all kind of petered out.
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来源期刊
New Literary History
New Literary History LITERATURE-
CiteScore
1.50
自引率
11.10%
发文量
8
期刊介绍: New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.
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