勘误:原始主义的坚持和讨债人

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2023-06-01 DOI:10.1162/artm_x_00358

deBT cOLLecTOrs, Elizabeth Harney’s, Joshua I. Cohen’s

引用次数: 0

摘要

伊丽莎白·哈尼（Elizabeth Harney）的《原始主义和债务催收者的坚持》（ARTM 11:3），第105-125页(https://doi.org/10.1162/artm_r_00327）包含错误。约书亚·I·科恩（Joshua I.Cohen）的《“黑人艺术”文艺复兴：跨越大陆的非洲雕塑与现代主义》（奥克兰：加州大学出版社，2020）标题错误：《黑人文艺复兴：横跨大陆的非洲雕刻与现代主义。我们对这个错误感到遗憾。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Erratum: The Persistence of Primitivism and The Debt Collectors

Elizabeth Harney’s “The Persistence of Primitivism and the Debt Collectors“ (ARTM 11:3), p. 105–125 (https://doi.org/10.1162/artm _r_00327) contains an error. Joshua I. Cohen’s The “Black Art” Renaissance: African Sculpture and Modernism across Continents (Oakland: University of California Press, 2020) is incorrectly titled The Black Renaissance: African Sculpture and Modernism across Continents. We regret the mistake.

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.